DESCRIPTION:
Welcome to my channel! More information regarding 432 Hz music & tracklist (where available) in description.

Original song(s) are time scaled & pitch shifted to 432 Hz.

00:00 Le moulin
04:25 La valse d'Amélie (version orchestre)
06:23 La valse d'Amélie (version piano)
08:58 Pas si simple
10:49 Comptine d'un autre été l'après midi
13:07 J'y suis jamais allé
14:40 La piece vide
16:22 La noyée
18:23 Les jours tristes (instrumental)
21:24 Sur le fil
25:44 La dispute

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432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity and magnetism with biology, the DNA code and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. The number 432 is also reflected in ratios of the Sun, Earth, and the moon as well as the precession of the equinoxes, the Great Pyramid of Egypt, Stonehenge, the Sri Yantra among many other sacred sites.

Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum while the A=440 Hz is off.

Audiophiles have also stated that A=432hz music seems to be non-local and can fill an entire room, whereas A=440hz can be perceived as directional or linear in sound propagation.

“Music based on C=128hz (C note in concert A=432hz) will support humanity on its way towards spiritual freedom. The inner ear of the human being is built on C=128 hz” – Rudolph Steiner.

Once you adopt the idea that sound (or vibration in general) can have an equilibriating and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into ones life, or to atune to specific energies. There is a form of absolute and of relative harmony. Absolute harmony can for example be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the interent that you can listen to, in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up to body. This is because 440 Hz is out of tune with both macrocosmos and microcosmos. 432 Hz on the contrary is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our puls (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90.

It is interesting to note that 432 Hz was the standard pitch of many old instruments, and that it was only recently (19th and 20th century) that the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger aduiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. On of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC). it is tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly many old organs are tuned in an A=432 as well; for example: St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome.

Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128hz” claims conclusive evidence that 440Hz and raising concert pitch above scientific “C” Prime=128hz (Concert A=432hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity.

The difference between concert pitch A=440Hz and Concert A=432Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.