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"Life dies but forever will there be music. Always."
― Nicholas A. McGirr▼▼▼

LES BAXTER
Les Baxter is the leading figure in the history of exotica. Wherever exotica went, Les Baxter was there, often leading the way. His work for Capitol Records in the 1950s introduced most of the major movements in exotica. His 1950 album, "Music Out of the Moon," featured the theremin and was probably the best-selling theremin album of all time--and also founded the "space" school of exotica. In 1951, he did the same for the "jungle" school of exotica with his landmark "Ritual of the Savage" LP, for which he wrote the theme song of exotica: "Quiet Village." He crested the European cover wave with his only number one hit, "Poor People of Paris," in 1956. He produced and wrote most of the first album by the four-octave Peruvian songstress, Yma Sumac, "Voice of the Xtabay" (I've always wondered if "Xtabay" was pig Latin for "Baxter"). And he can be credited with anticipating the percussion school with his all-drums album, "Skins! Bongo Party with Les Baxter."
Baxter started performing in his teens as a concert pianist. He studied music formally at the Detroit Conservatory of Music and Pepperdine College. He worked as a tenor sax player, and then as a singer eventually getting hired as a member of the Mel-Tones, a harmony group formed by Mel Torme around 1947. Baxter quit to work for NBC Radio as a one of a vocal quartet that sang on Pepsodent commercials on Bob Hope's radio show. He began arranging and ended up as musical director for Bob Hope and, later, Abbott and Costello. He continued with occasional vocal work as late as 1952, when he was in the back-up quartet on Frank DeVol's hit, "Love Letters in the Sand." His first album, "Music Out of the Moon," featured a choir, one cello, one French horn, a rhythm section, and a theremin. Baxter said of it, "No one had heard of a combination like that. It was a little weird. I didn't know what popular records were. I didn't know what I was doing."
At Capitol Records, where he primarily worked writing arrangements and conducting the orchestra on recording sessions for such singers as Frank Sinatra and Bob Eberle. He provided the arrangement for Nat King Cole's best-selling recording of Eden Ahbez's utopian tune, "Nature Boy," performed by Frank DeVol and a studio orchestra, and arranged and performed with Cole on other hits such as "Mona Lisa." He also arranged and conducted on a series of LPs released under the name of dance studio entrepeneur Arthur Murray. Like a number of Capitol's house arrangers, Baxter was able to record his own arrangements and, often, composition. Some arrangers didn't put much energy into such recordings, but Baxter clearly found them vital creative outlets and experimented with a variety of themes, musical devices, and genres. Of these, his "Ritual of the Savage" has become a classic in its own right, a musical travelogue accompanied by recorded jungle noises and bird calls that later inspired Martin Denny, Arthur Lyman, and others.

DID YOU KNOW ?
"Once in a while" was composed in 1937 and recorded by Tommy Dorsey and His Orchestra that same year. The song quickly reached number one position in the American charts. It has been recorded and performed by numerous artists since then.

MHO
Baxter was walking (closely even) in the footsteps of Ray Conniff when he recorded the album "Voices in Rhythm" (early 1960s) but he clearly did it with style.
The album nowadays is a true collector's item and rightfully so. Because even if we know that the orchestration and arrangement is 100% that of Mr Conniff.... a "copy" may sound as good as the original - provided the job was done "with care and attention".
From what we hear, that duly seems to have been the case here......