DESCRIPTION:
"Pale Mothers" © Lee Buddle /Kavisha Mazzella/ John Reed

"Pale Mothers" is the first verse of Lady Wilde's poem " The Famine Year " put to music . She was the mother of Oscar Wilde . The music is composed by Lee Buddle, Kavisha Mazzella & John Reed for the play" John Boyle O' Rielly" by Lois Achimovic directed by Phil Thomson.
First played at D Shed in Fremantle Western Australia in 1989 for deckchair Theatre.
Solo voice- Kavisha other instruments and harmonies John Reed and Lee Buddle,
"Pale Mothers" is on Kavisha's first album "Mermaids in the Well"
released in 1995 produced by Lee Buddle and John Reed.
The 19th century Ilustrations here depict our irish ancestors who as refugees fled Ireland for the new world seeking safety and freedom.
see www.kavisha.com

Here is the full poem....
The Famine Year (The Stricken Land)
by Jane Francesca Elgee (Lady Wilde ) (1824 -- 1896)

Weary men, what reap ye?—Golden corn for the stranger.
What sow ye?— human corpses that wait for the avenger.
Fainting forms, hunger--stricken, what see you in the offing?
Stately ships to bear our food away, amid the stranger's scoffing.
There's a proud array of soldiers — what do they round your door?
They guard our masters' granaries from the thin hands of the poor.
Pale mothers, wherefore weeping— would to God that we were dead;
Our children swoon before us, and we cannot give them bread.

Little children, tears are strange upon your infant faces,
God meant you but to smile within your mother's soft embraces.
Oh! we know not what is smiling, and we know not what is dying;
We're hungry, very hungry, and we cannot stop our crying.
And some of us grow cold and white — we know not what it means;
But, as they lie beside us, we tremble in our dreams.
There's a gaunt crowd on the highway — are ye come to pray to man,
With hollow eyes that cannot weep, and for words your faces wan?

No; the blood is dead within our veins — we care not now for life;
Let us die hid in the ditches, far from children and from wife;
We cannot stay and listen to their raving, famished cries—
Bread! Bread! Bread! and none to still their agonies.
We left our infants playing with their dead mother's hand:
We left our maidens maddened by the fever's scorching brand:
Better, maiden, thou were strangled in thy own dark--twisted tresses—
Better, infant, thou wert smothered in thy mother's first caresses.

We are fainting in our misery, but God will hear our groan:
Yet, if fellow--men desert us, will He hearken from His Throne?
Accursed are we in our own land, yet toil we still and toil;
But the stranger reaps our harvest— the alien owns our soil.

O Christ! how have we sinned, that on our native plains
We perish houseless, naked, starved, with branded brow, like Cain's?
Dying, dying wearily, with a torture sure and slow—
Dying, as a dog would die, by the wayside as we go.

One by one they're falling round us, their pale faces to the sky;
We've no strength left to dig them graves— there let them lie.
The wild bird, if he's stricken, is mourned by the others,
But we— we die in a Christian land—we die amid our brothers,
In the land which God has given, like a wild beast in his cave,
Without a tear, a prayer, a shroud, a coffin or a grave.
Ha! but think ye the contortions on each livid face ye see,
Will not be read on judgement--day by eyes of Deity?

We are wretches, famished, scorned, human tools to build your pride,
But God will take vengeance for the souls for whom Christ died.
Now is your hour of pleasure— bask ye in the world's caresses;
But our whitening bones against ye will rise as witnesses,
From the cabins and the ditches, in their charred, uncoffin'd masses,
For the Angel of the Trumpet will know them as he passes.
A ghastly, spectral army, before the great God we'll stand,
And arraign ye as our murderers, the spoilers of our land.

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