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Dimlite’s two EPs for Now-Again, Prismic Tops (2009) and My Human Wears Acedia Shreds (2010), captured an artist in flux: a producer fleeing from his loosely hip-hop, jazz and electronica-infused early material and towards a more realized world of sound. With Grimm Reality, Dimlite incorporates the techniques and artistic attitude of two of his alter-egos (Misel Quitno, a fanatic in low-fidelity electro-acoustic composition; the Slapped Eyeballers, a two-headed, world-rock-folk combo) to color a progressive sonic vision.

This isn't just the patchwork of a tasteful record collector. Dimlite eschews samples entirely, imbuing his music with the spirit of his heroes but never once grabbing for their sound. In so doing, he creates music that is highly singular and – despite its relatively ancient influences – altogether new.