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Read the review: http://bit.ly/AmpegPF-50T

Ampeg’s huge impact on the world of bass amplification is no secret. The SVT is a standard onstage rig and the B-15 is a staple in recording studios the world over. Not only has Ampeg set the bar high for the rest of the amp realm over the years, but for themselves in their quest to push forward in designs and features, yet maintain a respectful nod to the tone and builds that made them so significant in the first place. Enter the new all-tube PF-50T—a flexible, rock-solid amp that captures the spirit of Ampeg classics of the past, and offers an innovative feature that should be an industry standard.

The “PF” in PF-50T is short for Portaflex—a salute to Ampeg’s iconic flip-top B-15 head. The design of the PF-50T is super slick, yet still brings back memories of the old days with its two massive transformers and a steel cage that houses five tubes on top. Not to be confused with the B-15 Heritage (the flip-top reissue in the family), the PF-50T has been engineered to bridge the gap between the B-15 and the SVT with moderate power, tube warmth, and more than a hint of saturation available.

The 20-pound PF-50T has two inputs—one for passive instruments and the other with a 15 dB cut for active instruments. The control set is easy enough: gain, Ampeg’s well-known ultra-hi and ultra-low EQ buttons, bass, midrange, a 5-way midrange sweep, treble, and, finally, a master volume. The rear panel is also uncomplicated, with the exception of one very cool feature: twin XLR outs.

To continue reading the review, visit: http://bit.ly/AmpegPF-50T