DESCRIPTION:
Here's the next episode of Brewster's Millions Of Rants with 'Diabolus In Musica - The Devil's Interval' an in-depth look at a common, yet commonly-misunderstood dissonant interval found in decades of hard rock and metal music - not to mention mountains of classical, jazz, blues, and various other styles of music for hundreds of years.

This lesson pinpoints several examples of using/targeting the tritone or "flat five" (b5), and you'll learn a number of ways to harness the unstable sound of this sinister interval, which can be found in plenty of scales, chords, and arpeggios in music. This episode takes a look at several of these melodic and chord-based possibilities and uncovers a few ideas found in the music of hard rock and metal guitar legends such as Randy Rhoads and Tony Iommi (to name a few).

In addition to the technical background surrounding this evil-sounding interval, we're also taking a look at an assortment of songs and riffs featuring this uniquely unstable sound, including twisted chord offerings from Slayer, Metallica, Arch Enemy, and many more.
In addition to the aggressive metal influences found in this lesson, we're also hitting a number of classic rock and progressive rock moments using the tense flavor from one of the strongest dissonant sounds heard in music - the "Devil's Interval."

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