DESCRIPTION:
FMR Audio RNLA 500-Series Really Nice Levelling Amplifier Details

It's tempting, if not a little lazy, to view FMR Audio's new 500-series offerings as mere repackages of their tried-and-true products like the FMR RNLA. There is really nothing mere about them. It's not that there aren't obvious connections...the RNLA500's lineage is definitely visible and audible: RED knobs—albeit slightly more (ahem!) refined—provide a visual clue as to its origins while it's THICK & GOOEY sound tell you the RNLA's algorithm is still beating in its silicon heart (brain?)! Okay, it's still an RNLA that you can use to add some compression-induced character (and control) to your vocal/bass/drum/mix/guitar/piano/orchestral/banjo tracks. It's also comfortably responsive to its controls, just like the 1/3 rack version. So what about this isn't merely a repackaging?

http://www.frontendaudio.com/FMR-Audio-RNLA-500-Series-p/9999-15212.htm

All tracks were played from Samplitude Pro X @ 24bit / 48K, through the RNLA-500, and back into Samplitude Pro X, via the Lavry 4496 - for the most accurate and transparent source and conversion, allowing you to hear the character of this unit.

Demos
RNLA - RNLA500 Comparison 0:22
RNLA500 Kick Drum = 0:50
RNLA500 Snare Drum = 1:30
RNLA500 Bass Guitar = 2:06
RNLA500 Vocals = 2:39