DESCRIPTION:
The movements of Proximate Spaces refer to the search for a unified theory to explain the fundamental forces, dimensional composition, and existence of matter in the known universe. Much of the pitch material derives from a quasi-tonal hexachord (a group of six pitches), which forms a repeating pattern when three transpositions overlap. This two-octave "scale" includes all chromatic notes, as well three pitches (augmented triad) common to both octaves The work develops the tension between mechanistic devotion to these patterns and episodes of free chromaticism, between strictly repeating rhythms and rhythmic variation, between instrumentation according to families and a free exchange of musical ideas regardless of instrumental grouping. Initially aligned with the mechanistic paradigms of pitch and regular rhythmic patterns, in several places the piano breaks free and attempts to incite revolt against the system by abandoning strict adherence. Ultimately the machine prevails. The work was commissioned by my dear friend Matthew Gillespie and ALIA Musica Pittsburgh and was premiered on April 1, 2008 at St. Paul's Cathedral in Pittsburgh, PA. Tonight is the Asian Premiere of this work.