DESCRIPTION:
Night Train - Played by Roy Ingram's Jazz & Blues Band - A UK Midlands Jazz & Blues Band - Jazz @ The Westwood -
A 'MidNiteSun' Music Video 2008 - http://www.midnitesun.co.uk - From Wikipedia, the free encyclopedia.
Origins and development.
"Night Train" has a long and complicated history. The piece's opening riff was first recorded in 1940 by a small group led by Duke Ellington sideman Johnny Hodges under the title "That's the Blues,
Old Man". Ellington used the same riff as the opening and closing theme of a longer-form composition, "Happy-Go-Lucky Local", that was
itself one of four parts of his Deep South Suite. Forrest was part of Ellington's band when it performed this composition, which has a long tenor saxophone break in the middle. After leaving Ellington,
Forrest recorded "Night Train" on United Records and had a major rhythm & blues hit. While "Night Train" employs the same riff as the earlier recordings, it is used in a much earthier R&B setting.
Forrest inserted his own solo over a stop-time rhythm not used in the Ellington composition. He put his own stamp on the tune, but its relation to the earlier composition is obvious. Like Illinois Jacquet's solo on "Flying Home", Forrest's original saxophone solo on "Night Train" became a veritable part of the composition, and is usually recreated in cover versions by other performers. Buddy Morrow's trombone solo chorus from his recording of the tune is similarly incorporated into many performances.
Lyrics.
Several different sets of lyrics have been set to the tune of "Night Train". The earliest, written in 1952, are credited to Lewis P. Simpkins, the head of United Records, and guitarist Oscar Washington.[1] They are a typical blues lament by man who regrets treating his woman badly now that she's left him. Douglas Wolk, who
describes the original lyrics as "fairly awful", suggests that Simpkins co-wrote (or had Washington write) them as a deliberate throwaway in order to get part of the tune's songwriting credit; this entitled him to substantial share of "Night Train"'s royalties, even though it was most often performed as an instrumental without the lyrics.[2] Eddie Jefferson recorded a version of "Night Train" with more optimistic lyrics about a woman returning to her man on the night train.
Notable recordings.
"Night Train" has been recorded by numerous performers over the years: Jimmy Forrest's original version of "Night Train" was a #1 R&B hit in 1952. A pop version recorded by Buddy Morrow and His Orchestra reached #27 on the charts, also in 1952. This version features a classic and oft quoted trombone solo by Buddy Morrow
himself. Louis Prima released a version in his album The Wildest!,
released in 1957. It features Sam Butera on saxophone and begins with a "C. C. Rider" segment. The rock and roll instrumental group The Viscounts recorded the tune twice, once in 1960 and again in 1966 in a version where they used their instruments to imitate the sound of a train. James Brown released a version of "Night Train" in
1962 that reached #5 on the R#B charts and #35 on the pop charts. His performance replaced the original lyrics of the song with a shouted list of American cities (mainly in the South) and many repetitions of the song's name. A live version of the tune was the closing number on his breakthrough 1963 album Live at the Apollo. Jazz pianist Oscar Peterson recorded "Night Train" with his trio on a 1962 album of the same name. Bill Doggett, famous for his own
instrumental "Honky Tonk", released a version of "Night Train" in
1964 as a two-part single. Kadoc released a dance/electronic track "The Nighttrain" with samples from the James Brown recording. Public Enemy also released a version of Night Train which took samples from the James Brown version. The group Reverend Organdrum (featuring Jim "The Reverend Horton Heat" Heath) performs "Night Train" on their 2008 album Hi-Fi Stereo.