DESCRIPTION:
1. Theme~Kaasama no Uta~Kagami Jigoku/Theme~母さまのうた~鏡地獄 - 0:00
2. Haru/春 - 10:16
3. Kinu no Michi/絹之道 - 15:30
4. Hito no Inai Shima/人のいない島 - 22:59
5. Nemuri no Kuni/眠りのくに - 26:38
6. Tenshi no Youni/天使のように - 32:32
7. Hyouryuusen/漂流船 - 35:17
8. Mikkou/密航 - 41:56

Acoustic Guitar – 吉川忠英, 矢島賢, 野間義男
Arranged By – クニ河内
Cello – 阿部雅士
Design [Cover Design] – Teichiku Design Section
Directed By – 春名勇
Drums – 山下秀夫, 田中清司, 武田光司
Dulcimer – 生見慶二
Electric Bass – 江藤勲*, 高水建司
Electric Guitar – 矢島賢, 高中正義, 津村泰彦
Engineer – 伊豫部富治
Flute – 中川昌三
Illustration – Yoshiko Sai
Lyrics By, Music By – 佐井好子
Piano, Keyboards – 大谷和夫, 松岡直也
Sitar [E. Sitar] – 矢島賢
Strings – 新音楽協会
Tabla – 瀬上養之助
Vibraphone – クニ河内

Download:
https://www.mediafire.com/file/1ey2l8cnyurfmpp/

Yoshiko Sai's second effort opens a little more peculiarly, even ominously, than her first classic. For two minutes and 50 seconds it is the sitar and percussionist playing off each other with negative space in between. A stark contrast to the first album's opener, perhaps setting the stage for something completely different.

Luckily the beat comes in, the guitar, and then Yoshiko Sai's vocals! As powerful as ever. But in a way the theme was indeed a preview: The arrangements are stripped down here compared to Mangekyou. For better or worse depends on the listener, but it's an extremely interesting choice considering how many more people were involved with this project. The album is a lot slower than its predecessor, gloomy and meditative, really setting itself apart. Standout tracks in that regard are the wonderful opening suite, Haru (which seems to be Yoshiko Sai's answer to Hako Yamasaki's Wandering), Kinu no Michi, Hyouryuusen, and Mikkou.