DESCRIPTION:
**NOTES ARE ALSO IN THE ANNOTATIONS** A vocal range compilation of Geoff Tate, born in Stuttgart, Germany on January 14, 1959. Original lead singer of Queensrÿche (fired in 2012) - also sang for Babylon, Myth, and appeared on the 1985 Hear N' Aid project - now lead singer of the band Operation: Mindcrime.
00:19 - E♭2s and a C#2 in the isolated backing vocals of 'Hero'
00:48 - Strong D2 in 'Saved'
00:55 - Almost creepy D2 in 'Out of Mind'
01:04 - The iconic D2s in 'Silent Lucidity'
01:28 - Strong chesty E♭2 in 'Open'
01:32 - Solid live C#2 on the same phrase
01:36 - Deep D2s and E2s in the backing vocals of 'One More Time'
01:44 - Solid low backing vocals centered around F#2 in 'Deliverance'
01:50 - Strong low backing vocals bottoming on F#2s in 'NM 156' ending on a strong C#5
02:08 - Solid G2s in 'Spreading the Disease'
02:22 - Strong low notes amidst the emotional opening for 'The Mission'
02:56 - Very light A2 in 'My Empty Room'
03:05 - Strong B2 in 'Eyes of a Stranger'
03:14 - Dramatic C3s and light D5s in 'En Force'!
03:31 - Well sustained G#4 from 'My Global Mind'
03:51 - A surprisingly long B♭4 with some nice vibrato at the end, from 'Seduction of Decay'
04:09 - Impressively easy-sounding B4 from 'Best I Can'
04:16 - The iconic B4 from 'Eyes of a Stranger'
04:31 - Mournful B4s and a haunting C5 from 'My Empty Room'!
04:51 - Effortless B4s from 'Roads to Madness'
05:11 - A well sustained live B4 followed by effortless D5s from 'The Lady Wore Black'
05:43 - A nice C5 with some excellent, rare distortion, from 'Saved'
05:51 - Effortless live C#5s from 'Walk in the Shadows'
06:08 - Easy A4s and a D5 from 'Empire'
06:29 - Another impressively easy-sounding, D5 from 'Best I Can'
06:35 - A quick B4, and a very good D5 from 'Roads to Madness'
06:52 - The iconic chorus, with strong D5s and a B4 from 'Eyes of a Stranger'
07:16 - A haunting D5 from 'Promised Land'
07:29 - Emotional D5s from 'London'
07:40 - A B4 followed by a magnificent, and easy-sounding, D5 from 'Warning'
08:02 - The ending E♭5 from the classic 'Before the Storm'
08:13 - The classic, iconic, and powerful E5s from 'Queen of the Reich'
08:43 - The epic D5 to E5 from 'Eyes of a Stranger'
08:59 - Easy D5 and bright E5 from the Myth song 'Into the Battle'
09:20 - Excellent E5 from the 1986 demo version for the classic 'Scarborough Fair'
09:31 - The iconic 4-second sustained A4, which quickly ramps up to an equally long E5 from 'Take Hold of the Flame'
09:46 - The other iconic 4-second E5, nailed live during the 2nd night in Tokyo, 1984.
09:55 - Epic D5s and E5s from the great track 'The Whisper'
10:15 - Strong bright E5, and D5s in the backing vocals in the chorus of 'Spreading the Disease'
10:32 - Strong F5 to E5 scream in 'Child of Fire'
10:43 - The dramatic ending of the epic 'Screaming in Digital', with singing around D5, topping at F5.
10:52 - Excellent, clean F#5 to E5 wail from 'Warning', nailed live during the 2nd Tokyo 1984 show.
11:03 - Clean live F#5 shriek from the Myth song 'Iron Curtain'
11:09 - Clean F#5 wail from 'Nightrider'
11:18 - Bright F#5 from 'Operation: Mindcrime'
11:25 - The classic F#5 scream from 'Queen of the Reich'
11:30 - A one-time-only live occasion, wailed a semitone higher, from the 2nd night in Tokyo 1984.
11:34 - Strong F#5 and G5 wails from the Myth song 'Take Hold of the Flame'
11:48 - A surprising (for 1994) G5 in the backing vocals of 'Damaged'
11:53 - The ascending scream from 'The Needle Lies', topping at G5
12:06 - Strong F5s and G5s from the 1986 demo 'From the Dark Side'
12:25 - Very clean opening G5 scream from live version(s) of 'Nightrider', this one from the 2nd Detroit 1984 show.
12:34 - Semi-rare, clean, and excellent live G5s from 'Blinded'
12:53 - The magnificent G5, followed by two strong E5s from the conclusion to the epic 'Roads to Madness'
13:03 - An excellent and very raw take on the G5, from the 1st Tokyo 1984 show.
13:09 - An ascending yelp topping at A5, from 'Deliverance'
13:15 - Another ascending yelp topping at A5, from 'The Prophecy'
13:26 - A couple of G5 screams, and a G5 wail quickly topped by an A5 scream, buried in the fade-out, from 'No Sanctuary!

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