DESCRIPTION:
Album: Power In The Darkness (1978)

Darkhaired dangerous schoolkids
Vicious, suspicious sixteen
Jet-black blazers at the bus stop
Sullen, unhealthy and mean
Teenage guerillas on the tarmac
Fighting in the middle of the road
Supercharged FS1Es on the asphalt
The kids are coming in from the cold

Look out, listen can you hear it
Panic in the County Hall
Look out, listen can you hear it
Whitehall (got us) up against a wall
Up against the wall...

High wire fencing on the playground
High rise housing all around
High rise prices on the high street
High time to pull it all down
White boys kicking in a window
Straight girls watching where they gone
Never trust a copper in a crime car
Just whose side are you on?

Look out, listen can you hear it
Panic in the County Hall
Look out, listen can you hear it
Whitehall (got us) up against a wall
Up against the wall...

Consternation in Brixton
Rioting in Notting Hill Gate
Fascists marching on the high street
Carving up the welfare state
Operator get me the hotline
Father can you hear me at all?
Telephone kiosk out of order
Spraycan writing on the wall

Look out, listen can you hear it
Panic in the County Hall
Look out, listen can you hear it
Whitehall got us up against a wall
Up against the wall...

Tom Robinson Band (TRB) were a British rock band, established in 1976 by singer, songwriter and bassist Tom Robinson (born on 1 June 1950, in Cambridge, England). Their third single, "Up Against the Wall", is now acknowledged as a classic punk rock single[1][2] and their debut album, Power In The Darkness (1978), is still widely admired[3][4][5][6][7]
Tom Robinson began gigging in London in 1976. By the end of the year, he had decided to put together a permanent band. Robinson's old friend, guitarist Danny Kustow, was the first in the permanent lineup. They ran small ads in the music papers looking for a bass player and drummer. Robinson found drummer Brian "Dolphin" Taylor. The search for a bass player continued, until Mark Ambler auditioned. Some days later, Ambler mentioned he also played keyboards; he had spent many years studying piano with veteran jazz musician, Stan Tracey. After listening to Ambler playing his Hammond organ Robinson realised he would have to be the bass player himself.
The band hit the club scene right in the middle of London's punk explosion. Their live shows got favourable reviews, and soon A&R men were attending many of their gigs.
EMI Records signed the Tom Robinson Band (TRB). Robinson later described this period, saying "Within nine months we'd made the transition from signing on at Medina Road dole office to Top Of The Pops, Radio One, EMI Records and the giddy heights of the front cover of the New Musical Express".
TRB made leaflets and fliers about their political views and sent them to everyone who attended their gigs, they gave away badges and made up T shirts emblazoned with the band's logo and they appeared regularly at Rock Against Racism concerts. They were joined at these gigs by the likes of The Clash, Steel Pulse and X-Ray Spex.
"2-4-6-8 Motorway" was their first single, released in late 1977. It got into the top five of the UK singles charts, staying there for over a month. It was followed almost immediately by their next record, a four song EP called Rising Free which was recorded live at London's Lyceum Theatre in November 1977. It contained the songs "Don't Take No for an Answer", "Martin", "(Sing if you're) Glad to Be Gay" and "Right On Sister". The EP reached No. 18 in the UK singles charts.
In early 1978, TRB recorded their debut album, Power in the Darkness. The UK version of the LP contained all new songs, but in the US (on the Harvest label), the "2-4-6-8 Motorway" single and Rising Free record were combined for a six-track bonus EP that made the album almost a double.

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