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Tony Hancock's pastiche of art world pretensions has its moments, like this sequence that quotes painters like Pollock, Tapies, and Gutai artists like Murakami and Shiraga, as he covers a canvas spread out on the floor to a score of flamenco and other unlikely music. Worth comparing to Paul Cox's sequence, considering both feature animals in supporting roles--an Australian bulldog, and a Parisian cow.
http://www.youtube.com/watch?v=zsAUyx_UPJY