DESCRIPTION:
Dutch contralto Julia Culp (1880-1970) / Du bist die Ruh (Schubert) / Orchestra: Walter B. Rogers - conductor / Recorded: December 29, 1915 / While not accompanying Ms. Culp on this particular recording, pianist Coenraad V. Bos is seen in the second frame at right on what appears to be a VV-XVI phonograph --

From "The Well Tempered Accompanist" by Coenraad V. Bos (as told to Ashley Pettis) / Theodore Press Company / 1949 --

"As Julia Culp's accompanist over a period of years, I was well aware of her vocal limitations, which were not generally apparent to to the public because of her unusual knowledge concerning her own capabilities and their limits. As a matter of fact her range was in all probability less than that of any singer who attained similar artistic stature, extending, as it did, slightly more than an octave and on half, from middle C to second G flat. But such was the perfection of the tones within this relatively small range, and such was her extraordinary ability to imbue them with emotional color dynamic variety, that she frequently gave the impression of possessing no limitations of range. In such songs as Schubert's Du bist die Ruh, in which she sang intervals extending from middle C to the second F above, the effect was one of tonal opulence and emotional intensity that the range seemed much greater than it actually was. The secret of this great singer's consummate art truly lay in the fact that she had mastered the meaning of the ancient injunction: Know Thyself! As a consequence, she never permitted any weakness to become apparent to the public."

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Julia Bertha Culp (October 6, 1880 -- October 13, 1970), the "Dutch nightingale", was an internationally celebrated concert artist in the years 1901--1919. Culp was born in Groningen, the Netherlands into a Jewish family of musicians and comedians. She was the daughter of contrabass player Baruch Culp and his wife Sara Cohen. At the age of seven she began to practice the violin, and at 11 had her first public violin performance. Her first performance as a singer was on 30 December 1893. In the summer of 1896, she left Groningen for Amsterdam, where she studied at the Conservatory under renowned former opera singer Cornélie van Zanten. Soon after completing her studies in 1900, Culp's singing career took flight. She was discovered by German-American conductor Wilhelm Berger, who took her to Berlin to perform at the concert hall Saal Bechstein in 1901. Before long, she was performing all over Europe and America, sharing the stage with such notable composers, conductors and singers as Edward Grieg, Richard Strauss, Camille Saint-Saëns, Enrico Caruso, Otto Klemperer, Willem Mengelberg, Pablo Casals, Percy Grainger, Enrique Granados and Thomas Beecham. As early as 1902 she performed for Queen Wilhelmina of the Netherlands and in 1903 she was invited to sing at the German imperial court for Empress Augusta Viktoria. In 1913, Culp made her American debut at Carnegie Hall in New York. In the US, she soon became known as the "Dutch nightingale".

Julia Culp made some 90 recordings between 1906 and 1924. In the US, she made 41 recordings for the label Victor in the years 1914--1917 and in 1924. She married Erich Merten on June 29, 1905 and settled in Zehlendorff near Berlin. However, the marriage was unsuccessful and they divorced in 1918. In the meantime, she had met a Czech industrialist, Wilhelm Ginzkey, and they married on July 23, 1919. At that time, she converted from Judaism to Catholicism, ended her singing career and moved to Vienna. Julia remained married to Ginzkey until his death in 1934. In the meantime, the Nazis had come to power in Germany. After the German annexation (Anschluss) of Austria in 1938, Culp fled to the Netherlands, moving in with her sister Betsy in Amsterdam. When the Nazis invaded and occupied The Netherlands in 1940, Culp once again found herself in grave danger. Both she and her sister went into hiding and managed to survive the war. They returned to their flat in the Wolkenkrabber ("skyscraper") building in Amsterdam, where she remained until her death at age 90.

In 2000, Michael Oliver wrote in the International Opera Collector: "You might describe Julia Culp as a connoisseur's singer. Her voice was not large, her compass not wide. She never sang in opera; striking dramatic gesture were not her line. What she excelled in were the singer's rather than the vocal actress's virtues: sustained legato line, remarkable breath control, subtle colour, immaculate care for words....But 'connoisseur's singer' does not mean that only connoisseurs can appreciate her; one becomes a connoisseur by listening to her." (wikipedia)

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