DESCRIPTION:
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Thanks for watching!

*** NOTE *** The location of the camera (and its internal mic) is slightly different than the location used to listen to the actual frequencies that are pushed into feedback. Due to physics issues (i.e. the direction the speaker is facing, my location relative to the speaker and the camera, and the location of the camera (and camera mic)) certain audio frequencies may (may not be) picked up by the camera mic. The higher the frequency, the greater the opportunity for the camera to "hear" a slightly different frequencies that what I hear at my location in this video(and vice/versa).

*** Please remember *** The setup involved with this video is to get the system to feedback at many various frequencies; the system is setup for education purposes ONLY and is NOT representative of how a system would be setup for an actual LIVE event. Each microphone used in this video is pointing directly at a single speaker.



Thanks for the comments!

Reducing feedback in the monitors takes patience and time. Locating the offending frequencies and reducing them (a little at a time) is the process to ring out a monitor system.

The signal path used in this video is: microphone ... to board ... to aux send out ... to EQ in ... to EQ out ... to amplifier ... to speaker.

The principles to ringing out a monitor system can be applied to ringing out FOH; However, FOH EQ settings should be set sparingly.

The "trick" to good sound... familiarize yourself with frequencies.