WILD COLONIALS - HEAVEN & HELL - Fruit Of Life (1994) HiDef :: SOTW #58 - Video
PUBLISHED:  Aug 10, 2014
DESCRIPTION:
Bergo '45 Song of the Week #58 - Devon's Pick for 8/10/14:
http://www.bergo45.com
"Heaven & Hell" by Young Colonials from Fruit Of Life (1994)
DGC/Geffen Records

"Wait for it......wait for it......gets me every damn time." - Devon Beuschel

This is a weekly dive into the musical mind of Bergo '45. Each week, a new song is chosen by a different member of the band. Check out the playlist to see all of the past selections. Grab a towel and give it a listen....

Wild Colonials are an American alternative rock band formed in Los Angeles, California in 1992 by Angela McCluskey (vocals), Shark (guitar/vocals/percussion), Paul Cantelon (violin/piano), Scott Roewe (multi-instrumentalist) and Ian Bernard (drums/percussion). After 1993 members included Thaddeus Corea and Jason Payne on drums/percussion and Skip Ward on bass.

Formed in early 1992 as an impromptu jam session at an Irish coffee house in Hollywood called Café Beckett. Singer Angela McCluskey had gathered together a group of fellow musicians to arrange a “musical evening” to showcase her friend/guitarist Shark, who had recently relocated to Los Angeles from New York. Brought aboard were Paul Cantelon, on violin and piano; Scott Roewe, on bass, keyboards, and saxophone; and Ian Bernard (drums/percussion) and other revolving special guests. The “musical evening” evolved into a regular gig from the group soon to be known as Wild Colonials - named after the Irish song “Wild Colonial Boy.” Also joining in with the ever changing line up of guests included Dave King (Flogging Molly), Vivian Campbell (Def Leppard), and several members of the Hothouse Flowers and Leonard Cohen's touring band.

From Café Beckett the group developed a large following, performing regularly at Molly Malone's, an Irish pub in Los Angeles, and then moving to Café Largo a larger venue in West Hollywood. With a Tuesday night residency that lasted several months the buzz that developed in the LA music scene procured the Wild Colonials a record deal with DGC/Geffen Records. Fruit of Life (1994) and This Can’t Be Life (1996) were both released to critical acclaim, landing the group as the second stage headliner on the prestigious Lilith Fair lineup in 1997. Over that time, Wild Colonials–either as a group or as individual artists - have lent their musical talents to the great art of film - a collection of unreleased tracks, soundtrack only tracks and score cues was collected to make up their third album "Reel Life vol 1" (2000) (released through indie label Chromatic Records).

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