DESCRIPTION:
Recording the album saw Eli Wolfe work with Tim Powles of Spacejunk Production House.

Co-produced alongside 2009 ARIA-nominated producer Tim Powles,
the album is based on Eli's impressive timbered vocal melodies and captivating acoustic sound. As a creative challenge, traditional drums, bass and electric guitars were deliberately not used in the recording process.
"Instead we had fun discovering contextual sounds and playing with textures and rhythm from a washing machine, a marching drum and cement rendered walls, to cello and double bass" he said.

Below are some technical details about tSpacejunk Production House:

Spacejunk III is now an airconditioned three room set-up comprising a daylit control room, a conventional "live/dead" studio room, an ambient drum room (suits acoustic instruments and vocals) and further improvised spaces including isolated amp/ speaker cabinet, and "live" wooden upstairs space with vintage upright piano.

The heart of the recording system is an Apogee Symphony 64 card with audio via Apogee AD16X and DA16X, Lavry Blue AD and DA, and Audient Sumo AD. It utilises both Logic Pro and Protools software (003 or CoreAudio), with clock distribution courtesy of an Antelope Isochrone DA, and running on Apple MacPro and MacBook Pro computers, there is a Quad UAD DSP Card for extra plugin power. Audio is patchable to both a TOFT ATB16 in-line analogue 8 buss console (52 inputs avail) and an Audient Sumo Class A Bus mixer, with an eclectic collection of hardware devices both classic vintage, retro, modern, and rare, to further colour the sound at will.

Monitoring- GENELEC 1037B large-fill monitors, KRK V8 midfield and YAMAHA ms50 nearfields.

website: http://www.spacejunk.biz/