DESCRIPTION:
Daniel Poli “Empty Rooms" ep : [TechHouse,Minimal,techno]

Daniel Poli discovered his passion for music at a very early stage of his life. Releasing his first record back in 1989.
After many years of Djing around the world In 2000 he started working at the Mecca of Tech House Swag Records which eventually took him back into the studio working alongside artists such as, Colin Dale, DJ Dozia, Mr C, Mr G, Gideon Jackson, Dave Mothersole, Nathan Coles, Get Fucked and countless others, while moving into making his own productions as well as collaborations with Paul SWAG as 'Filth', Grant Dell, Gideon Jackson and a as a founding member of DAP with Filippos Nikiforakis, And Andrea Mazzini.

Daniel now holds a busy schedule producing, remixing, DJing and running his label Suspect Package Records and featured on so many more labels like Rekids, Wiggle, Distant Strangers, Rescue Recordings, LHB, Funknose, Jamayka Recordings, Pirate Radio, Household Recordings, Communicato, Sensei, Essential Beat Recordings, Uhuru Beats and many more.

“Back home groove” a slick deep multi-mood original dancefloor burner of a single featuring a lot of heavy hittin sub with catchy dark low end synths. The beat swells with full peak warehouse sounds but much more minimal and tech. This deep tech rhythm is moving dancefloors by the heavy kick and deep bass line, while the techy melody floats above it all. “Back home groove-Ricochet remix” jumps out of the gate as an uplifting techhouse rumbler with swingin bass, complete with special fx bursts and deep melodic sub basses. The vocal sample on repeat brings the song to a peak and then it all drops back into a pulsating rhythm. Heavy tech house percussion, deep and dubby techno stabs, stompin bass, and elements of minimal sounds twisted for an effective vibe. “Shatzi Moving in” is something that is in the deep acid house vein, but much more minimal and tech. It grooves forward but then drops for a ponderous peak of glowing tones that echo with the vocal sample swirling around it. With its lush keys, soaring lead, and huge rolling drums the acid beat makes it a pleasant serene musical journey for the listener, as well as a nice way to round out a peak hour set. “Shatzi Moving in-Ohnin remix” this remix kicks off with the dark big room techno vibe. Its techy percussion groove keeps it a banging tune with extra bounce in the drums and a flurry of filtering effects topped with twisted sounds. A tight groove and solid beat foundation is rocking this Ohnin remix to all dancefloors.

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