The Spook of the Thirteenth Lock - Lockout Movement 1 - Video
PUBLISHED:  Sep 29, 2015
DESCRIPTION:
Named after a poem about a haunted canal lock, The Spook of the Thirteenth Lock combine elements of the Irish folk tradition with modern experimental rock sounds and have released two albums to date, 2008's eponymous debut and 2012's "The Brutal Here and Now".

“Lockout” is a new large-scale work by The Spook of the Thirteenth Lock about the 1913 Dublin Lockout. For this project the band are joined by an electric guitar orchestra, bringing the unique sound defined by composers such as Glenn Branca and Rhys Chatham into the world of contemporary Irish traditional music. “Lockout” is a grand departure for the band, adding epic volume and scale to the band’s blend of contemporary and traditional sounds and a sharper, more political voice which addresses the recent anniversary of the Lockout, and its relevance today.

On Sunday January 19th 2014, The Spook of the Thirteenth Lock debuted a new, large-scale work entitled "Lockout". This open rehearsal of the first movement took place in The Factory in Dublin's docklands on what was the 100th anniversary of the end of the Dublin Lockout, an important yet often over-looked period in Irish history.

The 1913 lockout marked a turning point for Ireland as the might of Dublin's business class waged a brutal war on the working poor, denying them the right to unionise, exploiting them through slavish working conditions, and condemning them to live in tenement squalor. In 2015's Ireland a similar war of austerity is being waged on the weakest in society through glaring inequality and swelling corruption. While absolving themselves from blame for the wrecking of an economy, the political and financial classes inflict the lashes dictated by the Troika and the glassy-eyed markets. As in 1913 the draining of the lifeblood of a country is personified by a talented ruthless capitalist and media baron, disingenuously preaching privatisation, tax evasion and corruption. We invoke the spirit of Larkin as he invoked the spirit of Desmoulins. "The great appear great because we are on our knees: Let us rise"

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