DESCRIPTION:
Thee Heavenly Music Association was formed after Storer, (noted for her high profile role in London all girl punk band Fluffy) relocated to Los Angeles and hooked up with Jack Off Jill for their final show. Hillis, who is best known for engineering Pearl Jam’s multi- platinum Ten LP, Temple of the Dog, Alice in Chains' Would? and Sap EPs, as well as songs on Cameron Crowe’s Singles soundtrack and a Dennis Leary HBO Special, recorded and engineered the project, later becoming an integral part of the band himself. Hillis is also a respected recording artist and had a recording contract with Island Records for his band Sybil Vane. He engineered The Afghan Whigs farewell record 1965 and also co-produced the record’s single 66.
Musicians used for the heavily Psychedelic based album Shaping the Invisible, included bassist Bardi Martin from Candlebox and drummers Dave Krusen from Pearl Jam and Ron Holt. Shaping the Invisible is the band's first album and its title is taken from a quote by Leonardo da Vinci describing music. The album was released on Rehash Records, and also released a single on the infamous UK label Fierce Panda.

Tracklist:
0:00 Thee Heavenly Music Association - Synesthesia
5:08 Thee Heavenly Music Association - Alain
10:02 Thee Heavenly Music Association - Angelic Disorder

"Shaping the Invisible" review by Jason MacNeil:

Thee Heavenly Music Association is an apt moniker, but one that the duo of Helen Storer and David Hillis could have a hard time living up to. If murky guitar riffs and some feedback and fuzz are your niche, then step right up! Bands such as the Jesus and Mary Chain and My Bloody Valentine are easily discerned here, while current bands such as Singapore Sling and Bikini Atoll are definitely quaint comparisons. "Synesthesia" starts the album off with a beefy guitar riff and ethereal, airy vocals to create a perfect blend of beauty and brawn. This could be the soundtrack to Lost in Translation 2 if such a venture came to fruition. Deeper and stronger is "The Absolute Elsewhere," which has Storer's vocals drawing out the best of Hillis' guitar playing, similar to the Cure circa Bloodflowers. The only problem with this track is that it ends much too quickly and abruptly, making it seem a bit unfulfilled or not fully blossomed. Highlights, and there are several, have to begin with the epic, dreamy, and extremely lush "Alain," which soars and soars. One hopes it goes on and on, but it ends -- unfortunately -- after just four precious, joyful minutes. It's this grandiose approach that keeps it so pleasing and sweet. Then there is the slow-building and downplayed "Angelic Disorder," which offers a wall of sound behind Storer's somewhat dreary yet hopeful pipes. "Suffer My Angel" tends to suffer by winding around an arrangement that doesn't go anywhere. However, this is atoned for with the stunning "Trip Seat," as the band makes a beautiful, thick, intense, and emotional wall of sound. The album takes a bit of a breather during "Jiji Crycry," but this effort is still a healthy dose of hazy, psychedelic-tinged dream rock. They take the album up an intense notch or two with the buzzsaw urgency of "Say Something," which never falters or wavers, making it a consistently strong listen. The coda is a coveted cover of Kate Bush's "Running Up That Hill," slowing the tune down into a very sparse, precious nugget in the vein of Moby's reworking of New Order's "Temptation." The guitar hues resemble the Edge here as well.