DESCRIPTION:
Original soundtrack by Paul Oakenfold + 2 songs that were in the movie, but for some reason got not included in the album.

Track List:

00:00 - Paul Oakenfold - Swordfish (intro)
02:44 - Dope Smugglaz - The Word (PMT Remix)
07:15 - Jan Johnston - Unafraid (Paul Oakenfold Mix)
12:35 - Paul Oakenfold - Dark Machine
20:10 - Muse - New Born (Paul Oakenfold Mix)
25:53 - Paul Oakenfold & Christopher Young - Chase
32:09 - Paul Oakenfold - Harry Houdini
32:39 - Lemon Jelly - Kneel Before Your God
34:43 - NERD , Lee Harvey , Vita - Lapdance (Paul Oakenfold Swordfish Mix)
38:23 - Paul Oakenfold - Speed
42:14 - Paul Oakenfold vs. Afrika Bambaataa & The Soul Sonic Force - Planet Rock (Swordfish Mix)
50:02 - Paul Oakenfold & Christopher Young - Stanley's Theme
54:47 - Paul Oakenfold - Password
58:58 - Patient Saints - On Your Mind (Omaha Mix)
1:06:13 - Get Out Of My Life Now - Paul Oakenfold & Planet Perfecto
1:10:23 - Frank Popp Ensemble - High Voltage
1:14:03 - Organic Audio - Play To The Music

"You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; relentless, bam bam, one after another. All caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if..."