Soundpainting Workbook 2 - The Art of Live Composition by Walter Thompson - Video
PUBLISHED:  Jan 17, 2017
DESCRIPTION:
Soundpainting Workbook 2 Gestures
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Section 1 – 0:00

Rhythm Tap
4 Beats
Match
Slowly Enter (Aka Enter Slowly)
Slowly Exit
Drone
Freeze
Morph
Layer Scanning
Modify Scanning
Go Back To
Go Onto
Silent Hit (See Silence in the Glossary)


Section 2 – 4:05

More Space Fader
Staccato
Melody
Legato
Layer Point to Point (See Layer Scanning in the Glossary)
Snapshot
PTP (you will see I sometimes use a shortcut if appropriately placed)
Tear Up
Organic Development (Aka Organically Develop)
Soundpainter (Jennifer Rahfeldt 2nd Soundpainter – no text just an example of two Sound- painters composing at the same time)
Only
Open
Blinders
Within
Duration (Fader)
HeadTempo
Without
Sprinkle
Initiate

Section 3 – 11:51

Change This
Change Add
Change Subtract
Change Addtract

Section 4 – 14:36

Launch Mode
Configuration (Configuration 1 = Trombones (Long Tone), Double Bass (Shapeline),Trumpets
(Minimalism), Percussion (Pointillism).
Glissando
Block Scanning
Reverse Block Scanning
Ladder
Launch Mode (without Configuration 1)

Section 5 – 17:38

Play Can’t Play (PCP)
You
Cell (see Cell in the Glossary)

Analysis
PCP 3; cycling through the cells; no development; development; new PCP 2: development after 1st cell; PCP 5; in cell 4, Group 2 Trombonist signs the I Don’t Understand gesture to Sound- painter because he does not know which cell the Soundpainter is in; Soundpainter signs back This Is Cell 4, Go Onto, Cell 5; Soundpainter signs Watch Me to alert the group the Cells will be signed out of order by using the Cell gesture; PCP 4; PCP 3.

Section 6 – 21:03

Classical Feel
March Feel
Rock Feel
Swing Feel
Funk Feel
Techno Feel

Section 7 – 25:48

(C) Major
(A) Minor
(C) Augmented, Chord
(C) Diminished
Whole Note (you will hear some players choosing to enter after the first beat but will play a full 4 beat Whole Note - offsetting it.
Half Note
Quarter Note
Eighth Note
Eighth Note,Triplet
Notes (I use a Long Tone as the Content gesture)C,D,E,F,G,A,B
(B)Flat
(D)Sharp
Sixteenth Notes

Section 8 – 32:31

Voice
Mouth Open/Close
Palette Punch 1 – I rehearsed the word “right!” as the Palette Punch.
Note: There are two ways to ask an individual or group to sing (vocalize) a Long Tone.You can sign:Whole Group, Sing (er), Long Tone or Whole Group, Long Tone,With,Voice. Both are correct.

Section 9 – 33:34

Palette (1)
BackToTheTop
Read On
Palette (2) Measure
Break
Launch Point to Point
Brush Work
Vamp

AnalysisWhen Soundpainting with Palettes I often modify the Palette as it is being performed, sometimes without ever performing the Palette it in its entirety.I composed two short Palettes.As you will hear and see, the Palettes are used many different ways.The gestures listed above in Section 9 are some of the ones I most often use when working with Palettes.

Performance 1 – 40:36

Performance 2 – 48:12

Index of Gestures – 52:49

©Walter Thompson
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