synthe.labo

listen to the new electro track 'Robotronic'



robotronic by synthe.labo



SYNTHE.LABO on Reverbnation



Playing guitar since i was 13, brainwashed from rock to punk to metal to hip hop, i started to enjoy electronic music listening to industrial rock bands like Skinny Puppy and Nine Inch Nails in the middle of '90s. Suddently i got involved in the first wave of electronica, Future Sound Of London, Orb, AFX etc; after i went to my first free party/festival my mind started to become opened to many new worlds; heavy infleneced by that whole movement, i followed it for about a decade, and myself started making electronic music in the end of 00. I made my first autoproductions in 2000/2001, pretty all technoid stuff; finally i joined the Hydrophonic Records Label from Milan, runned by my friend Alessandro Skeeme, and started a long collaboration (still active) making some techno vynils like the 'connections eps 1&2' and the two completely mine 12" 'Masters of legalized Confusion' (2003) and 'Obscure Fairytales (2007). I made also a split album with Fire At Work on Idroscalo Records, Rome, runned by Antonella Pintus, called 'Niente Di Nuovo Sotto Il Sole', a couple of punching elektro industrial tracks. While making the SAE course in Milan i met some good friends that were starting the project of making a sound system; i joined them and the whole thing has been called Untravelled Ground. Emiliano Pilloni (PilloPlex) and me started our indie electronic label Untravelled Ground Records (UNG) in 2007 and made 3 vynils and 1 cds, producing Pilloplex (Changing Doctor ep), Synthe.Labo (Blackened Happy Sheep ep), Intiman (Drug Dealers ep) and a collaboration project of me and Enzo Sarteur called 'Iron Steel Art', all with the support of the Music Lab studio for mixes and masterings. Since 2000 i developed a particolar style that is a mixture of many influences: techno, elektro funk, breakcore, idm and even clubbish stuff; i have difficulties to describe my music, anyway i shifted from techno to more break and elektro stuff, leaving the more experimental material to Hydrophonic label and keeping the more electro groovy one to UNG. Nowadays i'm more into groovish stuff, heavely influenced by the Berlin scene; on live sets i enjoy to make a lot of 'breaks/crescendos' and 'stop & go'; as some friends of mine say, even if i make an house track it's clear that i have 'warpish electronica' rootshope this can be considered a good thing. PLAY IT LOUD!