DESCRIPTION:
Temas utilizados para la película "Rollerball" realizada en 1975.

*This music is being posted ONLY to share with others and for nostalgic and entertainment purposes*

Album: "Rollerball (Original Motion Picture Soundtrack)"
Track 1: "Toccata In D Minor (Organ Solo)" *CUT*
Composer: Johann Sebastian Bach
Organ [Solo]: Simon Preston
Track 6: "Adagio (Violin Solo)"
Composer: Remo Giazotto / Tomaso Albinoni
Conductor: André Previn
Violin [Solo]: John Brown
Orchestra: The London Symphony Orchestra
Published by G. Ricordi & Company (London) Limited on its own behalf and on behalf of G. Ricordi & C.s.p.a. of 2,
Via Berchet, 20121 Milan, Italy
Label: Varèse Sarabande
℗ MCMLXXV United Artists Music and Records Group. Inc
Distributed: United Artists

Rollerball is a 1975 British-American dystopian science fiction sports action film, produced and directed by Norman Jewison, and starring James Caan, John Houseman, Maud Adams, John Beck, Moses Gunn, and Ralph Richardson. The screenplay by William Harrison adapted his own short story, "Roller Ball Murder", which had first appeared in the September 1973 issue of Esquire.

The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach. Its time of origin, narrowed down depending on author, lies between c.1704 and the 1750s. The piece opens with a toccata section, followed by a fugue that ends in a coda. To a large extent the piece complies to the characteristics deemed typical for the north German organ school of the baroque era, but divergent stylistic influences, such as south German characteristics, have been described in scholarly literature on the piece. The Toccata begins with a single-voice flourish in the upper ranges of the keyboard, doubled at the octave. It then spirals toward the bottom, where a diminished seventh chord appears (which actually implies a dominant chord with a minor 9th against a tonic pedal), built one note at a time. This resolves into a D major chord.

Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concerti.

Remo Giazotto (September 4, 1910, Rome – August 26, 1998, Pisa) was an Italian musicologist, music critic, and composer, mostly known through his systematic catalogue of the works of Tomaso Albinoni. He wrote biographies of Albinoni and other composers, including Vivaldi, the composer of the Four Seasons.

The Adagio in G minor for violin, strings, and organ continuo is a neo-Baroque composition popularly attributed to the 18th-century Venetian master Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work. The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.

According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection, though its buildings were destroyed in the bombing raids of February and March 1945 by the British and American Air Forces. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708. In his account, Giazotto then constructed the balance of the complete single-movement work based on this fragmentary theme. He copyrighted it and published it in 1958 under a title which, translated into English, reads "Adagio in G Minor for Strings and Organ, on Two Thematic Ideas and on a Figured Bass by Tomaso Albinoni". Giazotto never produced the manuscript fragment, and no official record has been found of its presence in the collection of the Saxon State Library.

Source: Wikipedia.
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