DESCRIPTION:
This is track 8 from the album "Nostalgic Trip Vol. 2".
Charles Elliot Kynard was born February 20, 1933. A native of Kansas City, who lived and played in Kansas City, Missouri as a child, and an adult for over forty years. Considered a Hammond organ virtuoso and electric-bass player, He is unquestionably the finest organist to have played in Kansas City, Missouri. Pat Metheney of Kansas City and national fame has said Charles Kynard was the best organ player he has ever played with. Foremost, he holds a very special place in jazz history as he is always mentioned along with the giants of organ mastery that includes Jimmy Smith, Richard “Groove” Holmes, and Jimmy McGriff.

He received his early his early education in the Kansas City, Kansas public Schools. He received his undergraduate and graduate degrees from the University of Kansas at Lawrence; Post graduate work at UCLA, University of California at Long Beach; Avila University, Kansas City; the Ford Free University in Berlin, Germany; and the Hock-Schule for Music in Berlin, Germany. He started studying and playing music at the tender age of nine then switching from piano to the organ. His Mother, and father, (B.C. Kynard) both were outstanding professional musicians.

In 1956-1957 he touched the world with the U.S. Army show. He also appeared on the famous Ed Sullivan show in 1956; and with the Kansas City Philharmonic Orchestra. During the early 1960’s he often played as a guest organist at Municipal stadium at Kansas City Athletics baseball games. There he played the traditional baseball songs in the 7th inning stretch such as “Take Me Out To The Ball Game”, while also adding his flair for improvisation.

In 1963, he moved to Los Angeles, California and worked in studio orchestras for Columbia Pictures, and Warner Brothers Pictures. He also worked with studio musicians in and around Hollywood. He recorded on three labels, Prestige Records, under his own name with Pacific Jazz in the 1960’s, and Mainstream Records during 1971-74. It is, perhaps, the four records he did for Prestige between 1968 and 1970 that he is best known for. “Legends of Acid Jazz”, which combines the last two of these, “Afro-Disiac” (1970) and “Wa-Tu-Wa-Zui” (1970). A brief discography includes: “Where It’s At“ (1963) “Professor Soul” (1968) “Soul Brotherhood “ (1969), “Reelin With The Feelin”(1969), “Charles Kynard” (1971), “Woga” (1972) “Your Mama Don’t Dance” (1973). In addition, Charles Kynard has accumulated numerous credits for his outstanding work throughout the years, and with many artists continuing today. He also recorded some Gospel projects.

He was also an educator who taught mentally challenged children of both the Kansas City, Missouri public school district and the Los Angeles County public school system. In his private studio, he would teach piano and organ to budding musicians of all ages. In addition to his love of several jazz genres that included soul, jazz, and acid jazz. He equally loved and played Gospel music much in the tradition of Thomas Wright Waller (Fats Waller). To that end he served as organist at the First AME Church Los Angeles under the Reverend H. Hartford Brookins before he was selected to the bishopric. He later led First AME Church of Pasadena as its Minister of Music and served as organist for the Fifth District of the AME Church.

He traveled and performed with Gladys Knight and the Pips, and Jimmy Witherspoon, in concerts in New York, California, Rhode Island, Massachusetts and other states. He had been performing with the popular stage drama, “Evolution of the Blues.” He died on July 8, 1979 as he sat at the organ that day playing the music he loved so much.

He was married to the late Alice Kynard and have three children, the late Jeffrey Kynard, Kimberly Kynard of Los Angeles and noted opera singer, Bradley Kynard of San Francisco.