DESCRIPTION:
I HEARD CAGE ON BOBITTO AND STRETCH AND WAS VERY IMPRESSED
I THOUGHT HE WAS BLACK
LIKE WOW, THIS BLACK KID IS SPITTING SERIAL KILLER SHIT WITH AMAZING FLOW
SO I WAS A FAN INSTANTLY
AND I WAS THINKING DAMN, I RAP LIKE THIS TOO, I DIDNT THINK ANYONE IN THE UNDERGROUND BESIDES ME AND BILL WOULD MENTION A SERIAL KILLER IN A VERSE
SO THAT WAS DOPE
SO I CALLED UP BOBITTO AND HE TOLD ME CAGE WAS WHITE AND I WAS BUGGIN
HE TELLS ME CAGE LIVES UPSTATE AND IS REALLY HARD TO DEAL WITH, AND HE WAS GONNA PUT DUDE OUT BUT CAGE IS WAY TOO LOST IN THE SAUCE, FLAKY, ECT.
SO HE SAID IF U WANT, HERE IS HIS NUMBER, LINK UP WITH HIM, GOOD LUCK, ANYTHING U CAN MAKE HAPPEN WITH CAGE I WILL SUPPORT, CUZ HE WAS SUCH A FAN OF CAGE, AND BOB SWEATED MY BEATS BUT HATED ME AS A RAPPER
I FELT IT WAS AN OPPORTUNITY TO EARN SOME PRODUCTION CREDITS AND WORK WITH SOMEONE ILL
WHEN I FIRST MET CAGE HE HAD A HUGE EGO, NOSE UP IN THE AIR
DUDE THOUGHT HE WAS SO ILLER THAN ME
IT WAS FUNNY CUZ I WAS A GRIMY THUG AND RAPPED SUPER EVIL, SO I DIDNT GET THE EGO WITH ME
BUT I PUT UP WITH IT FOR THE SAKE OF MAKING SOME MONUMENTAL SHIT
ANYWAY, I PLAYED HIM SOME SATANIC BEATS
AND THATS WHEN HE PICKED THE BEAT FOR JUST LIKE CLOCKWORK
I THOUGHT THE TRACK WAS AMAZING AT THE TIME
I BROUGHT CAGE TO BROOKLYN TO CHILL AND I DONT THINK HE REALLY FIT IN WITH THE KIDS FROM BROOKLYN
THEY WERENT REALLY FEELING HIM, MY PEOPLES
SO WE DIDNT REALLY CLICK TOO WELL FROM JUMP
BUT I WAS ABOUT BUSINESS
THATS WHEN BOB SAID IF I CAN PRODUCE A 12" HE WILL RELEASE IT ON FONDLE EM
SO BOB HOOKED US UP WITH MILO'S HOUSE TO RECORD THOSE SONGS
FIRST DAY I MET MILO, I COULD SENSE HE WASNT MUCH OF A FAN OF MY MUSIC AND WHAT I WAS DOING
HE WAS MAD POMPAS, RICH KID TYPE
BUT HE LOVED CAGE
I DIDNT LIKE HIS VIBE
SO HE WAS PLAYING ME ALL HIS 12"S HE PUT OUT AT THE TIME THAT WERE GETTING RADIO PLAY
AND ME BEING HONEST I TOLD HIM IN HIS HOUSE I DIDNT LIKE THEM
HAHA
I DONT THINK HE APPRECIATED THAT
IN HINDSIGHT, MAYBE I COULD HAVE BEEN NICER, BUT I DIDNT FEEL DUDE WAS WORKING WITH ME CUZ OF ME, IT WAS CUZ OF BOB AND CAGE, SO I DIDNT CARE TO BE NICE IN ANYWAY, SO I KEPT IT REAL AND GAVE MY OPINION
KEEP IN MIND, HE ASKED FOR IT, I DIDNT JUST DISS THE SHIT, HE WANTED MY OPINIONS
PLUS I KNEW HE WAS GONNA TRY TO PRODUCE CAGE AND TAKE CAGE AWAY FROM WORKING WITH ME
WHICH IS WHAT ENDED UP HAPPENING
SO WE DID HIS FIRST 12" AND IT GOT MAJOR PLAY AND THE REST IS HISTORY, CLASSIC SHIT
CAGE SAID HE ALWAYS WANTED TO RAP OVER THE MUSIC FROM CLOCKWORK
AND I HAD THE RECORD ALLREADY, SO I HOOKED THE SHIT UP, AND WE ENDED UP RECORDING IT SOMEWHERE ELSE CUZ MILO'S STUDIO WAS A PIECE OF SHIT
BUT THE CONNECTION BETWEEN HIM AND MILO WAS MADE ALLREADY
MILO WAS A REAL ASSKISSER, GIVING CAGE WEED, MILO BASICALLY BRIBED CAGE AWAY FROM WORKING WITH ME
CAGE EVEN ADMITTED IT, HE SAID MILO GIVES HIM MONEY AND THINGS
I WASNT ABOUT TO GIVE CAGE SHIT
PLUS EVERY BEAT I WOULD PLAY CAGE AFTER THOSE FIRST 2 WERE NEVER GOOD ENOUGH
IM TALKING ABOUT BEATS LIKE REFUSE TO LOSE
HE PASSED THAT UP
BUNCH OF NON-PHIX BEATS THAT BILL ENDED UP PICKING
I DIDNT GET IT, CUZ I FELT MILO WAS HORRIBLE AS A PRODUCER
CAGE TOLD ME ONCE ONLY REASON HE WORKED WITH THEM WAS TO USE MILO, USE HIM FOR WEED OR RECORD SALES
I DIDNT GET IT
BUT THATS HIS STEEZE
I HELPED CAGE ALOT ON THOSE 2 SONGS
WE WOULD TALK ON THE PHONE AND HE WOULD KICK ME LINES AND I WOULD SAY NO, YES, THATS NOT GOOD
HE WANTED TO START OFF RADIO HEAD WITH SOMETHING LIKE THIS
"HERE COMES ALEX THE WHIRLWIND, RIPPING UP YA CITY NEW YORK TO BERLIN"
SOMETHING ALONG THOSE LINES
AND I SAID NAH MAN
START IT WITH THE "COMING THIS WINTER" LINE
I FELT THAT WAS ILLER
SO HE LISTENED
HE HAD A FEW LINES THAT MENTIONED OVENS, AND BURNING PEOPLE IN THEM
SUBMINAL NAZI LINES
AND I MADE HIM REMOVE THEM AND TOLD HIM HE MUST BE OUT HIS FUCKING MIND
HE FOUND THAT FUNNY THAT I CARED
AND I THOUGHT HE WAS A DOUCHBAG FOR EVEN GOING THERE
WE DIDNT REALLY CLICK AS PEOPLE
I DONT THINK HE RESPECTED ME MUSICALLY AS FAR AS MY RHYMES
HE SWEATED ALOT OF OTHER RAPPERS I FELT SUCKED
LATER WHEN I DROPPED GORY DAYS AND WE WERENT COOL ANYMORE
HE HOLLERED AT ME AND GAVE ME DAPS ON GORY DAYS OUT OF NOWHERE
LIKE YO THAT SHIT IS ILL
I THINK THE TRACK MORBID
SO HE EVENTUALLY CAME AROUND AND GAVE DAPS WHEN IT WAS APPARENT I WAS DOING MY OWN SHIT NO MATTER WHAT AND COULDNT CARE LESS IF HE LIVED OR DIED
ONE TIME WE WERE IN STRETCH ARMSTRONG'S HOUSE
AND I CHALLENGED HIM TO SLAPBOX
JUST PLAYING AROUND
AND HE REFUSED AND CALLED ME A NEANDERTHAL
SO IT WAS APPARENT WE WERE BOTH ON SOME OTHER SHIT
BUT I WILL NEVER DENY THAT I REALLY LOVED HIS EARLY SHIT LEADING UP TO THAT
HE WAS GODLY
BUT AFTER HE STOPPED WITH ME, I DIDNT LIKE THE SHIT HE DID WITH MILO
IT WAS LIKE A DIFFERENT PERSON
COMPARE THE OLDER SHIT WITH THE NEWER SHIT, ITS NOT EVEN THE SAME STYLE