Mary Schneider - William Tell Overture/Carmen Overture/Can Can Overture - Video
PUBLISHED:  Nov 04, 2015
DESCRIPTION:
Available on iTunes:
https://itunes.apple.com/us/album/yodelling-the-classics/id977911095

on her official site:
http://www.maryschneider.com.au/discog.htm

on Amazon:
http://www.amazon.com/Yodelling-Classics-Mary-Schneider/dp/B00000IADD

From '' Yodeling The Classics ''
Label: Innerworks ‎– D2-24935, Ichiban Records ‎– D2-24935
Format: CD, Album
Country: US
Released: 21 Oct 1997

Tracklist
Yodelling Overtures
1a William Tell Overture (Gioachino Rossini)
1b Carmen Overture (Georges Bizet)
1c Can Can Overture
2 Skaters' Waltz Yodel
In A Monastery Garden
3a Sanctuary Of The Heart
Hungarian Dance Yodel
4a Czardas
5 Clarinet Polka Yodel
6 Toselli's Serenade
Yodel And Waltz: Il Bacio
7a A Heart That's Free
7b Merry Widow Waltz
7c Schon Rosmarin
Brahms' Lullaby Yodel
8a Mozart's Cradle Song
9 Largo Al Yodel
10 Tritsch Tratsch Polka Yodel
11 Beethoven's Minuet Yodel
Yodelling Marchtime
12a Washington Post
12b Sempre Fidelis
12c Liberty Bell
12d Blaze Away

Yodeling – Mary Schneider

Performing with Maestro Tommy Tycho and The Sydney International Orchestra.
Mary Schneider is an Australian performer, renowned for yodelling works of classic composers.

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The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), whose music was composed by Gioachino Rossini.
William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement, although he continued to compose cantatas, sacred music and secular vocal music.
The overture is in four parts, each following without pause.

There has been repeated use (and sometimes parody) of parts of this overture in both classical music and popular media, most famously as the theme music for The Lone Ranger in radio, television and film.
It was also used as the theme music for the British television series The Adventures of William Tell.

Franz Liszt prepared a piano transcription of the overture in 1838 (S.552) which became a staple of his concert repertoire.
There are also transcriptions by other composers, including versions by Louis Gottschalk for two and four pianos and a duet for piano and violin.
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