DESCRIPTION:
Religious-Secular - "Farewell, disdainful" by Thomas Morley

An instrumental arrangement based on a recorded or transcribed midi sequence by Curtis Clark

Notes: Thomas Morley (1557 or 1558 -- October 1602) was an English composer, theorist, editor and organist of the Renaissance, and the foremost member of the English Madrigal School. He was the most famous composer of secular music in Elizabethan England and an organist at St Paul's Cathedral. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare.

Tech Notes: Please listen in HD 720P or 1080P mode for the best audio experience.

---------TRACK / ARRANGEMENT INFORMATION----------

TRACKS:
1. Track 1 - Ascension Choir Full AE
2. Track 2 - IR SF2 Choir Aah II
3. Track 3 - PT Cello Section M4L-LFO x 3
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.

Sends/Returns:
1. CRV: Real Places -
2.
3.
Master Track: UT EQ8 CR LM

Starting BPM: 110 +20/- 40

Copyrights, Attributions, and other stuff:

Photo or Image source: http://english-church-architecture.net/suffolk/s/sproughton/2011_0411now0002.jpg

Midi composition source: http://www.dongrays.com/midi/archive/folk/disdainf.mid

Sequencer or Performer: Curtis Clark.

----------------SUPPORT INFORMATION-------------------------

HARDWARE/SOFTWARE:

Sennheiser HD280 Pro
Audio Technica - ATH-M50S
Audio App: Ableton Live 8 Suite V9.0
VST: Alchemy Player
VST: Zebralettte
VST: Autogun
VST: Podolski
VST: Synth 1
VST: LFX-1310
VST: Triple Cheese
MaxforLive V6.1
Melodyne Essential
Control Surface: Maudio Axiom 49 Gen 2
Pad: Alesis Control Pad
Audio Interface: Focusrite Saffire 6 USB
Sweet Midi Player V2.5.5
NCH Wavepad Sound Editor V4.28
Notation Player V2.6.3
MixMeister BPM Analyser
GNMIDI Midi Utility V 2.56
JASC Paint Shop Pro 9
MS Movie Maker V6.0
Ignite by AIR V1.1
Vocaloid 3


CODE -----DESCRIPTION

AE -----AUDIO EFFECT
AF-----AUTOFILTER
AMP----AMPLIFIER
AP-----AUTOPAN
CB-----CABINET
CH-----CHORUS EFFECT
CR-----COMPRESSOR
ER-----EROSION
EQ X---EQUALIZATION X
FD-----FILTER DELAY
FG-----FLANGER
FS-----FREQ SHIFTER
GT-----GATE
GD-----GRAIN DELAY
LM-----LIMITER
MD-----MULTIBAND DYNAMICS
OD-----OVERDRIVE
PH-----PHASER
PP-----PING PONG
RN-----RESONATORS
RV-----REVERB
RX-----REDUX
SA-----SPECTRUM ANALYSER
SD-----SIMPLE DELAY
ST-----SATURATOR
UT-----UTILITY
VD-----VINYL DISTORTAION
VO-----VOCODER

ME ----MIDI AFFECT
AR-----ARPEGGIATOR
NL-----NOTE LENGTH
PT-----PITCH
RD-----RANDOM
SC-----SCALE
VE-----VELOCITY

AL9----AUDIO EFFECTS
GC-----GLUE COMPRESSOR

M4L---AUDIO AFFECTS
CRV---CONVOLUTION REVERB (Based on real world locations)
M4L-LFO----Max for Live: LOW FREQUENCY OSCILLATOR
M4L-DL------Max for Live: DELAY LINE L/R
M4L-EF-------Max for Live: Envelope Follower

AT-----AUTOMATION
CN-----CENTER
DL XX--DELAY IN MS
DR-----DRUM RACK
DT XX--DETUNE XX IN CNTS
LXX-----LEFT 00- 50
RXX-----RIGHT 00- 50
ER-----EFFECTS RACK
IR-----INSTRUMENT RACK
PB-----PITCH BEND
VST----INSTRUMENT PLUGIN
XF-----CROSS FADER
AER Basic -- Audio Effects Rack with AF AP RV UT
------------------------OTHER COMMENTS----------------------------

Tempo and Master volume automation.
Utility, EQ, Compressor and Limiter in master track.
Audio file is uncompressed wav file, sample rate 44100, Bit Depth 24.
Best if you listen to the audio with quality monitor headphones.
Your comments on technique, sound quality, or content are always welcome.