DESCRIPTION:
In this episode of the New York Guitar Festival’s Red Sofa Concerts, Bill Frisell performs two solo sets, one on a 1966 Martin 00-21 New Yorker and one on a 1962 Gibson ES-335. We’ve had the pleasure of collaborating with Bill at the NYGF for 15+ years. One of the most unlikely of guitar heroes, he’s internationally known for genre-straddling work in jazz and Americana, and has racked up honors including a Grammy Award and numerous Critics Polls at Downbeat Magazine.

With the Martin 00-21 New Yorker:
-Rambler (Bill Frisell)
-Lotus Blossom (Billy Strayhorn)
-What the World Needs Now is Love (Burt Bacharach)

With the Gibson ES-335:
-Crepuscule with Nellie (Thelonious Monk)
-Misterioso (Thelonious Monk)
-We Shall Overcome (Charles Albert Tindley)
-I’m So Lonesome I Could Cry (Hank Williams). 

#BillFrisell #jazzguitar #sologuitar


p.s. Hola señor González, First of all, thank you for visiting our channel. We are humbled by the interest we receive from all corners of the globe, and love it when people are inspired by our content and take the time to ask questions or share information. As for your inquires, we asked our founder/director David Spelman, and here is what he said: “the mic on the Martin acoustic was a Mojave MA-200, and the mic on the amp was a Sure SM-57. Our Apogee Symphony was sometimes having issues, so we brought in the Zoom recorders for back up, just in case. Everything was done in mono, with the second Mojave and Sure mics going to the Zoom. The Mojave went through an LA-610 and the Sure through an NPNG DMP-2NW. Everything then went to Logic. Big shout-out to the great Jack Daley of Dug Deep Production recording studio in Asbury Park, NJ, where we like to mix the Red Sofa Concerts.” We hope this answers your questions. Do please visit our channel again real soon.
*cheers from Team NYGF. : )