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Classic Mood Experience The best masterpieces ever recorded in the music history.
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Big Joe Turner - All the Best Jump Blues Music (Fantastic Blues Records) [Greatest Songs Masterpieces]

00:00 Big Joe Turner - Cherry Red (1956)
03:21 Big Joe Turner - Christmas Date Boogie (1948)
05:58 Big Joe Turner - The Chicken And The Hawk (Up, Up And Away) (1956)
08:34 Big Joe Turner - Careless Love (1940)
11:20 Big Joe Turner - I Can't Give You Anything But Love (1940)
14:30 Big Joe Turner - Corrine, Corrina (1956)
17:20 Big Joe Turner - Doggin' The Dog (1940)
20:02 Big Joe Turner - Adam Bit The Apple
22:47 Big Joe Turner - Ice Man (1941)
25:40 Big Joe Turner - Nobody In Mind (1941)
28:31 Big Joe Turner - Rebecca (1944)
31:13 Big Joe Turner - Jumpin' Down Blues (1940)
33:45 Big Joe Turner - Rainy Day Blues (1940)
36:36 Big Joe Turner feat. Pete Johnson - Roll 'em Pete (1938)
39:24 Big Joe Turner - Boogie Woogie Country Girl
42:15 Big Joe Turner - Doggin The Blues (Low Down Dog) (1945)
45:16 Big Joe Turner - Carolina Shout
47:25 Big Joe Turner - It's The Same Old Story
50:24 Big Joe Turner - Love Roller Coaster (1957)
52:34 Big Joe Turner - I Got A Gal (For Every Day in the Week) (1944)
55:30 Big Joe Turner - Chewed Up Grass (1941)
58:00 Big Joe Turner - Flip Flop And Fly (1955)
01:00:45 Big Joe Turner - Shake Rattle And Roll (1953)
01:03:37 Big Joe Turner - Somebody's Got To Go (1941)
01:06:28 Big Joe Turner - Honey Hush (1954)

Joseph Vernon "Joe" Turner, Jr. (May 18, 1911 – November 24, 1985), best known as Big Joe Turner, was an American blues shouter from Kansas City, Missouri, United States. According to the songwriter Doc Pomus, "Rock and roll would have never happened without him." While he had his greatest fame during the 1950s with his rock and roll recordings, particularly "Shake, Rattle and Roll", Turner's career as a performer endured from the 1920s into the 1980s. Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as "the brawny voiced 'Boss of the Blues'".
Known variously as The Boss of the Blues, and Big Joe Turner (due to his 6'2", 300+ lbs stature), Turner was born in Kansas City. His father was killed in a train accident when Joe was only four years old. He first discovered a love of music in his involvement at church. He began singing on street corners for money, quitting school at age fourteen to work in Kansas City's nightclubs, first as a cook, and later as a singing bartender. He became known eventually as The Singing Barman, and worked in such venues as The Kingfish Club and The Sunset, where he and his piano playing partner Pete Johnson became resident performers. The Sunset was managed by Piney Brown. It featured "separate but equal" facilities for caucasian patrons. Turner wrote "Piney Brown Blues" in his honor and sang it throughout his entire career.
At that time Kansas City nightclubs were subject to frequent raids by the police, but as Turner recounts, "The Boss man would have his bondsmen down at the police station before we got there. We'd walk in, sign our names and walk right out. Then we would cabaret until morning."
In 1939, along with boogie players Albert Ammons and Meade Lux Lewis, they began a residency at Café Society, a nightclub in New York City, where they appeared on the same playbill as Billie Holiday and Frank Newton's band. Besides "Roll 'Em, Pete", Turner's best-known recordings from this period are probably "Cherry Red", "I Want A Little Girl" and "Wee Baby Blues". "Cherry Red" was recorded in 1939 for the Vocalion label, with Hot Lips Page on trumpet and a full band in attendance. The next year Turner contracted with Decca and recorded "Piney Brown Blues", with Johnson on piano.
In 1941, he went to Los Angeles and performed in Duke Ellington's revue Jump for Joy in Hollywood. He appeared as a singing policeman in a comedy sketch called "He's on the Beat". Los Angeles was his home for a time, and during 1944 he worked in Meade Lux Lewis's Soundies musical movies. Although he sang on the soundtrack recordings, he was not present for filming, and his vocals were mouthed by comedian Dudley Dickerson for the camera. In 1945 Turner and Pete Johnson established their bar in Los Angeles, The Blue Moon Club.
In 1951, while performing with the Count Basie Orchestra at Harlem's Apollo Theater as a replacement for Jimmy Rushing, he was spotted by Ahmet and Nesuhi Ertegün, who contracted him to their new recording company, Atlantic Records. Turner recorded a number of successes for them, including the blues standards, "Chains of Love" and "Sweet Sixteen". FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Big_Joe_Turner