DESCRIPTION:
With FW12 the Axe FX II has come a long way. There are a lot more amps to choose from for high gain tones and it's sounding better than ever. More than a year has passed since my last showcase so it was time for an update.

Hope you enjoy and have fun watching. m/

http://www.kostein.com for all the presets.

If you enjoy this video and like my presets please share this with anyone that might be somewhat interested in guitar playing/tone/etc. I spend a lot of time making these videos and tweaking the presets. If you find them to be valuable and would like to contribute then you can donate something to my Paypal donation account which I just opened for my "Getting a Decent Bass" fund. I've set up a donation button on my blog for this.

Timestamps for all the models:
0:00 Intro
01:40 EVH 5150 III
02:53 Splawn Quickrod
04:05 Mesa Boogie Mark IV
05:19 Diezel Herbert
06:32 Orange Rockerverb 50
07:45 FAS Modern II
08:59 Custom Audio Electronics 3+
10:12 Marshall AFD100
11:31 Friedman Brown Eye

12:50 "Intermission"

13:27 Bogner Uberschall
14:40 Cameron CVV100
15:52 Peavey 6505+
17:05 Fryette Deliverance 60
18:18 Carol-Ann Triptik
19:31 FAS Modern
20:45 Komet Concorde
21:58 Thordendal Custom
23:12 Marshall JCM800
24:26 Mesa Boogie Dual Rectifier

25:42 "Interlude"

26:08 Diezel VH4
27:23 FAS 6160
28:38 Carvin Legacy VL-100
29:51 Soldano SLO100
31:06 Marshall JVM410
32:20 Splawn Nitro
33:33 Engl Powerball
34:46 Cameron Atomica
36:00 Peavey 5150

37:12 - Credits?

-DISCLAIMER-
My goal with this vid is to show merely a glimpse of high gain tones that the Axe can do now with all these different amp models just right out of the box. To achieve this, I tried getting the best possible tone (to my ears) with each amp and I used whatever means (drives/eq/cab IRS/etc) I deemed necessary to get there. My goal is not to compare these amps against one another even though that is kind of inevitable. If you own an Axe, you can have all of these tones and a lot more so I don't really see the point of comparing. Also my goal is not to try and get as close to the real amps as possible because I've simply ever owned any of these amps so I have no clue how they sound. There will probably be some people arguing that I should have maybe done it in a different way, for example: using the same cab, not using drives, all settings at noon, etc. That kind of thing is not for me. I strive to get the best possible tone to my ears and I use whatever can to get there. At the end of the day, that's what really matters, right?