DESCRIPTION:
King Addies vs Bass Odyssey @ Brixton 1998 [Bounty killer fi Bounty killer DUb fi Dub]

King Addies International Sound System, created in 1983 in Brooklyn, New York City is respected as 1 as the most dominant and iconic sound systems in the world. Addies is a sound who dominated the "The Biltmore Era” which is known as the Golden Era and most competitive period of the Sound clash industry has earned Addies their place in the history books. King Addies also known as the Billboard Sound is THE sound that made upcoming sounds understand that you didn’t have to be a Jamaica based to make it to the top of the industry, making them without a doubt, the most influential of all time.
Addies emerged as the leading sound out of New York in the late 80’s and 90’s. Pioneered by the legendary selector ‘Danny Dread’, whose contacts helped advance the careers of nuff reggae artists in the international markets of North America and England. Danny Dread’s protégé BabyFace aka LionFace and the talented young MC called Tony Matterhorn have been named two of the best and most talented selectors the world has ever witnessed. The combined strength of the ace selectors Danny Dread & Baby Face and the hype of Tony Matterhorn made Addies an unbeatable force placing a stamp on the industry as the most admired sound in the game.

BASS ODYSSEY Sound System is the home of Jamaica’s best deejays & selectors. “Our musicians are trained to be best of both worlds in the sound system industry; and continue to captivate music lovers around the globe with the unique juggling and clashing of Reggae and Dancehall music.”
‘From way out in the country’ Bass Odyssey hails from the hills of St. Ann, also the birthplace of Reggae icons Bob Marley and Burning Spear, to represent Jamaica on a global scale. Arguably the most popular sound system, it is most respected and continues to dominate the Jamaican music arena after 23 years. Having won several sound clash titles over the years, most recent of which include War Territory 4 (Italy 2012), Sound Fi Dead (New York 2011), Guinness Sounds of Greatness (Jamaica 2010); Bass Odyssey is known as the ‘World Champion Sound’. In addition to sound clash appearances, Bass Odyssey has weekly performances around Jamaica, frequent in the Caribbean, United States and South America as well as tours in Europe, the United Kingdom, Japan and Canada. Also, increasing demand should result in tours of Africa and other lands in the near future.

Bounty Killer was born Rodney Price in the Kingston ghetto of Trenchtown on June 12, 1972. One of nine children, he spent much of his childhood in another ghetto, Riverton City, which was built on the former city dump; his family later moved to the rough Seaview Gardens area. His father owned a small sound system, and he first tried his hand at DJ chatting when he was only nine years old. At age 14, he nearly fell victim to the gun violence he would later document so thoroughly in his music; while walking home from school, he was hit by a stray bullet from a gun battle between rival political factions. Fortunately, he made a full recovery, and soon began performing under the name Bounty Hunter for area sound systems like Metromedia, Bodyguard, and Stereo Two. Meanwhile, he and his friends hung around King Jammy's recording studio, hoping to catch a break. Eventually, he met Jammy's brother Uncle T, who produced his first recordings in 1990.

Roots, Reality & CultureStill working under the name Bounty Hunter, one of his early tunes, "Dub Fi Dub," became a huge dancehall hit as a sound system dubplate. He subsequently changed his name to the fiercer and less common Bounty Killer, and accordingly ratcheted up the confrontational tone of his lyrics. He had a breakout year in 1992 with several major hit singles, the biggest of which were "Copper Shot" (also an underground hit in New York) and the anti-informant "Spy Fi Die." Other songs from this era included "Guns Out," "New Gun," "Kill Fe Fun," "Gunshot Fi Informer," and "Lodge." Many of them appeared on Bounty Killer's debut album, Jamaica's Most Wanted, which was released in 1993 and later issued internationally under the somewhat deceptive title Roots, Reality and Culture (after a socially conscious hit from 1994). Also in 1993, Bounty Killer's lyrical feud with rival Beenie Man first flared up in an on-stage DJ clash; possessed of similar vocal deliveries, each claimed the other as an imitator, and they took their battle to record on the 1994 clash album Guns Out.

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