DESCRIPTION:
Jam in the Trees Festival indoor stage.

“I try to take songs I can relate to and that I can sing with urgency, that I can feel,” he says. “I’m just happy if people dig it.”
Looking like a man from leaner and meaner times, Willie Watson steps on stage with a quiet gravitas. But, when he opens his mouth and lets out that high lonesome vocal, you can hear him loud and clear.

His debut solo album, Folk Singer Vol. 1, was produced by David Rawlings at Woodland Sound Studios, the studio he co-owns with associate producer Gillian Welch in Nashville, TN, over the course of a pair of two-day sessions, for their own Acony Records label. The album spans ten songs from the American folk songbook ranging from standards like “Midnight Special,” “Mexican Cowboy” and Richard “Rabbit” Brown’s “James Alley Blues” to the more obscure, like Memphis Slim’s 12-bar blues, “Mother Earth,” Gus Cannon and the Jug Stompers’ “Bring it With You When You Come,” Land Norris’ double-entendre kids chant, “Kitty Puss” and St. Louis bluesman Charley Jordan’s sing-song “Keep It Clean.” Like the music, Willie can be murderous, bawdy or lustful, sometimes in the course of a single song, with a sly sense of humor that cuts to the quick. He counters a masterful bravado with the tragic fragility of one who has been wounded.

“There’s a lot of weight in the way Willie performs,” says Rawlings, longtime friend and producer of Watson’s previous band, Old Crow Medicine Show. “He’s had some tragedy in his life, which has informed his art. There’s an emotional edge to what he does because of who he is as a human being. He’s the only one of his generation I listen to who can make me forget these songs were ever sung before.”

General Manager
info@williewatson.com

Press Contact
jim@bighassle.com

Booking Agent
Paradigm Agency:
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615-251-4400