√♥ Roxane's Veil √ Vangelis √ Violin: Vanessa Mae - Video
PUBLISHED:  Feb 07, 2014
DESCRIPTION:
Created by Dimitris Tsaganos - Artist: Vanessa Mae -

"Roxane's Veil" is included in the album "Choreography" of Vanessa Mae.

Choreography is a Vanessa-Mae album featuring work by Vangelis, Bill Whelan, A. R. Rahman, Tolga Kashif, and Walter Taieb. She performs with the Royal Philharmonic Orchestra.

"Emerald Tiger" is a composition by Riverdance's Whelan, a sort of Irish/Asian fusion. "Raga's Dance", by Indian Composer A. R. Rahman, is a piece that mixes Carnatic instruments and vocals to a large symphonic orchestration. "Bolero for Violin and Orchestra" is a tribute to Ravel's Boléro, and it features a darbuka. "Tribal Gathering" is a minimalist composition in the vein of John Adams but with a live Afro percussion rhythm beneath. "Bolero", "Tango de los Exilados", and "Tribal Gathering" were composed by the European composer Walter Taieb (The Alchemist's Symphony). The track "Handel's Minuet" was produced by Vanessa-Mae, and is the first, and currently only, track she has ever produced for one of her own albums.
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Evangelos Odysseas Papathanassiou (Greek: Ευάγγελος Οδυσσέας Παπαθανασίου [evˈaɲɟelos oðiˈseas papaθanaˈsiu]; born 29 March 1943), professionally known as Vangelis is a Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music. He is best known for his Academy Award-winning score for the film Chariots of Fire, composing scores for the films Antarctica, Blade Runner, 1492: Conquest of Paradise, and Alexander, and the use of his music in the PBS documentary Cosmos: A Personal Voyage by Carl Sagan.

Vangelis began his professional musical career working with several popular bands of the 1960s such as The Forminx and Aphrodite's Child, with the latter's album 666 going on to be recognized as a psychedelic "classic". Throughout the 1970s, Vangelis composed music scores for several animal documentaries, including L'Apocalypse Des Animaux, La Fête sauvage and Opéra sauvage; the success of these scores brought him into the film scoring mainstream. In the early 1980s, Vangelis formed a musical partnership with Jon Anderson, the lead singer of progressive rock band Yes, and the duo went on to release several albums together as Jon & Vangelis.

In 1981, he composed the score for the Oscar-winning film Chariots of Fire, which won him the Academy Award for Best Original Music Score. The soundtrack's single, "Titles", also reached the top of the American Billboard Hot 100 chart and was used as the background music at the London 2012 Olympics winners' medal presentation ceremonies.

Having had a career in music spanning over 50 years and having composed and performed more than 52 albums, Vangelis is one of the most important exponents of electronic music.

More information about Vangelis: http://en.wikipedia.org/wiki/Vangelis
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Vanessa-Mae Vanakorn Nicholson (born 27 October 1978), known professionally as Vanessa-Mae, is a Singaporean-British violinist. Her music style is self-described as "violin techno-acoustic fusion", as several of her albums prominently feature the techno style with the classical style. A former child prodigy, she became a successful crossover violinist with album sales reaching several million, having made her the wealthiest young entertainer in the United Kingdom in 2006.
Vanessa-Mae was born in Singapore to Vorapong Vanakorn, an English hotelier of Thai ancestry who lives in Singapore, and Pamela Soei Luang Tan, a Chinese lawyer and semi-professional concert pianist. After her parents separated, her mother married Graham Nicholson, a British attorney who adopted Vanessa-Mae, and the family moved to England when Vanessa-Mae was four years old. She grew up in London and holds British citizenship. She began playing piano at the age of three and violin at five.

At age eight, Vanessa-Mae began attending the Francis Holland School in London, and at eleven, after her concert debut in 1988, she enrolled at the Royal College of Music in London.

In 1996, Vanessa-Mae's birth father publicly criticised and disowned her, adding that "she looks like a soft-porn showgirl", after seeing pictures of his scantily clad daughter to promote her albums. Vanessa-Mae's mother and stepfather defended her, saying that her image is none of his business.

More information about Vanessa Mae: http://en.wikipedia.org/wiki/Vanessa-Mae
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