DESCRIPTION:
This video contains outdated research and some inaccurate note pitches and terminology. Visit therangeplace.boards.net for the latest discussion and information.

Tony Kakko is best known for his singing in Sonata Arctica and Northern Kings. He is a great high baritone with an incredible raspy timbre in his high register, a silky-smooth mid-range and booming lows. He has the ability to sing in many different styles; from aggressive, to soothing, to even yodelling.

Time for some notes! Starting with the mid-highs:

1. 0:00 - Great G#4 sliding up to B♭4. Song is Letter to Dana (live).
2. 0:30 - Melody from Wacken performance of Gravenimage, top note is B4.
3. 0:53 - A looooong G#4 from a sound check.
4. 1:09 - Powerful singing from Northern Kings song Killer. Top notes are B4.
5. 1:26 - Incredible C#5, then sustained B4 from a live performance of It Won't Fade.
6. 1:46 - High passage from Wildfire in which Tony hits a falsetto A5, some G#5s and a quick full F#5. A nice sustained B4 comes afterwards
7. 2:13 - Strong, sustained B4 from live performance of Draw Me.
8. 2:25 - Singing up to C#5 in Shamandalie.
9. 2:45 - E♭5, then C#5 in Ain`t Your Fairytale.
10. 3:00 - Great screamy F5 and E♭5s from live show of It Won't Fade.
11. 3:11 - Raspy E♭5s from outro of a live show. "Vodka's what we need!"
12. 3:22 - C#5s and E5s from live performance of 8th Commandment.
13. 3:32 - Short E5 from Wacken performance of Gravenimage, followed by a raspy non-modal scream reaching G#5.
14. 3:51 - Long E5 from My Land.
15. 4:02 - Great E5s from an acapella version of Fullmoon
16. 4:26 - Melody E5s in the chorus of Weballergy.
17. 4:49 - Raspy E♭5 followed by sustained A4 sliding up to B4. Then some great singing up to a full F#5 and ending on a full E5.
18. 5:20 - Chants with the crowd reaching F5.
19. 5:32 - Short D5, followed by a melody-line F5! Song is White Pearl, Black Oceans
20. 5:52 - Another crowd-chant, topping at E5.
21 .6:06 - Short, head-voiced F#5 from Blank File.
22. 6:11 - Singing up to a quick full F#5 in Destruction Preventer.
23. 6:20 - Smooth gliding up to a full F#5, and falsetto G#5 in Destruction Preventer (there's an old live clip where he goes sharp on the F#5s, hitting a full-voiced G5!).
24. 6:40 - Screaming up to a powerful raspy falsetto G5 in The Dead Skin, followed by a raspy F5.
25. 7:03 - Sung F#5s and a quick, head voice-sounding G#5 in Blank File
26. 7:22 - "Unfortunately for you... this makes me your God..." awesome raspy falsetto scream reaching A5 in a live version of Don't Say a Word!
27. 7:45 - Falsetto A5 while messing around in the intro of Fullmoon.

Now for some low notes!

28. 7:51 - Soft singing down to B2 in Tallulah.
29. 8:02 - More soft singing to B♭2 in The Misery.
30. 8:10 - Strong E2 in Replica 2006.
31. 8:13 - Strong lows down to E2 and B1 in live version of Juliet.
32. 8:21 - Growly E2s in studio version of Juliet.
33. 8:39 - Booming spoken lows in outro of live version of White Pearl Black Oceans. Lowest note is D2.
34. 8:57 - F#2 and C#2 in the background of Deathaura
35. 9:04 - The Word's Forgotten, the Words Forbidden, reaches C#2
36. 9:15 - Strong F#2 sliding down to C#2 in live sound check.
37. 9:26 - Tony sings an octave lower in Tallulah and achieves a strong C#2. Deep, bassy timbre here.
38. 9:40 - Strong D2 sliding down to an A1 after some yodelling in a live show!
39. 9:43 - Live version of Replica reaching C2
40. 9:49 - Listen closely to the background for the repeated phrase "behind it all...", with whispered B1s

New info: Tony hits a B♭5 in the intro of "Da Best Song Ever" (watch?v=kS3HYU3TOiw)
Also hits a (very random) C6 in "The Vice", 1m 42s in.
Also hits a G6 in a 'silly' cover of Hocus Pocus
Hits full-voiced G5s in some old live performances of Destruction Preventer