DESCRIPTION:
THE DOPE SOLE////24 HOUR BEATS////POWERED BY SAMPLE SCIENTIST.


SOUND CLOUD: https://soundcloud.com/sample-scientist


INSTAGRAM: https://www.instagram.com/thedopesole/?hl=en

FREE BEATS FREE BEATS FREE BEATS FREE BEATS FREE BEATS
FREE BEATS FREE BEATS FREE BEATS FREE BEATS FREE BEATS
FREE BEATS FREE BEATS FREE BEATS FREE BEATS FREE BEATS
FREE BEATS FREE BEATS FREE BEATS FREE BEATS FREE BEATS




THIS DO NOT APPLY TO ALL MY MUSIC:
Free music or libre music is music that, like free software, can freely be copied, distributed and modified for any purpose. Thus free music is either in the public domain or licensed under a free license by the artist or copyright holder themselves, often as a method of promotion. It does not mean that there should be no fee involved. The word free refers to freedom (as in free software), not to price.[1]

The Free Music Philosophy[1] generally encourages creators to free music using whatever language or methods they wish. A Free Music Public License (FMPL)[2] is available for those who prefer a formal approach. Some free music is licensed under licenses that are intended for software (like the GPL) or other writings (the GFDL). But there are also licenses especially for music and other works of art, such as EFF's Open Audio License, LinuxTag's Open Music License, the Free Art license and some of the Creative Commons Licences.

HIP HOP PRODUCTION/BEAT MAKER
Hip hop production is the creation of hip hop music. While the term encompasses all aspects of hip hop music, it is most commonly used to refer to the instrumental, non-lyrical aspects of hip hop. This means that hip hop producers are the instrumentalists involved in a work. Modern hip hop production uses samplers, sequencers, drum machines, synthesizers, turntables, and live instrumentation. A hip hop instrumental is casually referred to as a beat, and its composer is casually referred to as a producer or beatmaker. In the studio, however, a hip hop producer also functions as a traditional record producer, being the person who is ultimately responsible for the final sound of a recording.


HIP HOP

Hip hop is a cultural art movement primarily by African-Americans [1] residing in the South Bronx in New York City.[2][3][4][5][6] Art historian Robert Farris Thompson describes the demographics of the youth that characterize the South Bronx in the early 1970s as "English-speaking blacks from Barbados" like Grandmaster Flash, "black Jamaicans" like DJ Kool Herc who introduced the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the sounds of Tito Puente and Willie Colón with existing styles of musical styles from jazz to funk associated with African Americans prior to the 1970s.[1] Hip hop music became popular outside of the African-American community in the late 1980s. After the rise of new media platforms and Web 2.0 technology of the Internet, fans would primarily consume the musical genre through social networking sites (SNS) beginning with Myspace evolving to notable mobile apps like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

[7][8][9]

Hip hop is characterized by anywhere from four to nine distinct elements or expressive realms. The main four are MCing (orality), turntablism or DJing (aural/sound practice), b-boying (movement/dance), and graffiti art (visual). Other elements often cited are knowledge (intellectual/philosophical), beatboxing, street entrepreneurism, language, and fashion among others.[10][11][12] The cultural critic Greg Tate described the hip hop movement as "the only avant-garde still around, still delivering the shock of the new, and its got a shockable bourgeoisie, to boot."[13] Even as the genre continues to develop globally in myriad styles, the four foundational elements provide coherence to hip hop culture.[3] The term is often used as if synonymous with the rhymed oral tradition known as rap music.[14]

The early roots of South Bronx hip hop scene stems from block parties thrown by the Ghetto Brothers, when they plugged in the amplifiers for their instruments and speakers into the lampposts on 163rd Street and Prospect Avenue and used music to break down racial barriers, and from DJ Kool Herc at 1520 Sedgwick Avenue, where Herc mixed samples of existing records with his own shouts to the crowd and dancers. Kool Herc is credited as the "father" of hip hop. DJ Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, to which he coined the terms: "Rap", "DJing", B-boying and graffiti writing or "Aerosol Writin".[15][16][17][18][19]