DESCRIPTION:
Killamanjaro Sound System ft Super Cat, Ninja Man, Beenie Man, Leroy Gibbons & many more 🔥🎼 1996

Born of Indian descent, Super Cat was raised in Kingston’s tough Seivright Gardens neighborhood, then known as Cockburn Pen. "Super Cat was born home delivery," as he tells it, "and I never, ever reached the low-spital (sic)." Cockburn Pen was a hotbed of dancehall reggae and home to ground-breaking deejays like Prince Jazzbo and U-Roy. As a child, Super Cat heard the latest songs by these veterans blasting from local record shops. By the time he was eight years old, he was hanging out at a local club called Bamboo Lawn, assisting the crew of the Soul Imperial sound system and absorbing the dancehall rhymes of deejays like Dillinger, Ranking Trevor and Early B The Doctor.

Super Cat, a.k.a. Don Dada, a.k.a. the Wild Apache, came roaring out of Jamaica in the 1980s, blazing a new trail through the dancehall reggae scene with hits like "Ghetto Red Hot," "Nuff Man A Dead," "Boops," and "Dolly My Baby." One of the first Jamaican deejays to break through the U.S. market, Maragh helped pioneer the fusion of dancehall with Hip Hop and R&B, now known as reggae fusion, collaborating with then-rising stars like Puff Daddy, Heavy D, Mary J. Blige, Wu-Tang Clan’s Method Man, Kris Kross and DJ Muggs from Cypress Hill. Outspoken in his attitude on politics, sex, drugs, and violence, Cat’s talk is tough, his message is conscious and positive, a cry for justice that rings from the ghettos of Kingston, Jamaica, Port of Spain, Trinidad, New York City, South Central Los Angeles, inner city Toronto and around the world.


Ninjaman, alias Don Gorgon, (born Desmond John Ballentine on January 20, 1966, in Annotto Bay, Jamaica)

In ancient Japanese culture, a ninja is a highly trained assassin, who specializes in using undetected tactics in the art of slaughter. In modern Dancehall culture, Ninjaman is the original lyrical terror, known for using his razor-sharp wit; slow, steady, calculated delivery; and mastery of the art of rhyme and rhythm to musically slaughter any and all who cross his path.

For over twenty years, Desmond “Ninjaman” Ballentine has stood out as one of the most candid, colorful, and controversial of all of Jamaica’s Dancehall deejays, with the skill, performance, and lifestyle to earn the apt title “The Don Gorgon” or most respected of the Dancehall fraternity.


Beginning with his first single “Protection,” recorded with Reggae singer Courtney Melody in 1986 under the moniker Uglyman, Ninja’s distinct lyrical pattern and smoothly wicked delivery was easily recognizable among the ranking deejays of the mid to late 80’s. A slew of singles followed with “Cover Me,” a romantic duet with Reggae singer Tinga Stewart, becoming his first bonafied hit in 1988. However, Ninja’s greatest acclaim would come at the turn of the decade, when he became the initiator of the “badman era” of 90’s Dancehall, with the release of the highly acclaimed “gunman” anthems “Murder Dem,” “My Weapon,” “Champion,” and “Permit to Bury.”


It would be Ninja’s over-the-top stage performances that cemented his place as the “original gold teet, front teet, gun pon teet don gorgon.” The theatrics, politics, charisma, intensity, and bravado that he brings to the live arena married with his ingenius on-the-spot lyrics has made him not only the most respected, but the most feared lyrical stage opponent among other artists. Revered Dancehall lyricists Super Cat, Bounty Killer, Beenie Man, and Vybz Kartel are among the lengthy list of Ninja’s lyrical conquests.


Moses Davis, better known by his stage moniker Beenie Man was born in the tough Waterhouse district of Kingston, Jamaica on August 22, 1973. He is noted as one of Jamaica’s most innovative artist, whose recording career dates back to 1981. At the age of eight, he took first prize at the national Tastee Talent contest which would lead to TV/radio appearances and recording contracts.

His career gained momentum after a performance at the Reggae Sunsplash festival in 1992, and a rivalry with Bounty Killer began the following year after Beenie Man was accused of stealing Bounty Killer’s style and catch phrases. The rivalry was captured on the 1994 album Guns Out, with the two artists settling the feud during a soundclash.

Beenie Man had his first number one single in Jamaica in 1993 with “Matie”, and won the DJ of the Year Award the same year, the first of eight consecutive awards. In 1994, he was signed by Island Records and released the critically acclaimed album Blessed, which was his fifth studio album and featured an array of hits, including the dancehall smash “Slam.” “Slam” peaked at number 33 on the Billboard Hot Rap Singles chart.

❤️💛💚
Uk's Leading Broadcast Station For #ReggaeMusic & #SoundSystem #Culture For more Quality Vibes Subscribe to our YouTube Channel.


Website: http://donsinclairreggaevibes.com/
Email: Donsinclairreggaevibes@gmail.com