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Modelo Pickman Nace en el año 2003 como un grupo de metal inspirado en la obra literaria del escritor H.P. Lovecraft* y en el cine clásico de terror como «La noche de los muertos vivientes».
Sus canciones crean una atmósfera peculiar que junto a una llamativa puesta en escena, transporta al público através del mundo de los sueños, la brujería y la locura.

Thrash, Hardcore y envolventes ambientes góticos fluyen mezclados con sonidos modernos y ritmos trepidantes que hacen vibrar al público metalero más exigente.


Modelo Pickman is born in the year 2003 as a group of metal inspired by the writer H.P. Lovecraft* and in classic terror movies like » The night of the living dead».
Their songs create a peculiar atmosphere that close to a showy putting in scene, transports the public for the world of the dreams, the witchcraft and the madness.
Metal, Hardcore and surrounding Gothic environments flow mixed with modern sounds and trepidant paces that make vibrate the more demanding metal fans.

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El modelo de Pickman (Pickman's Model en inglés) es un relato corto escrito en 1927 por H. P. Lovecraft (1890-1937). Pickman es un pintor cuyos cuadros se basan en una terrorífica temática plagada de monstruos realizando actos terribles, aunque no es esto lo más impresionante, sino el realismo que las obras transmiten. En un principio lo único inquietante para nuestro personaje principal (Thurber), es el hecho de no entender de dónde saca su compañero tan "magnífica" inspiración. Al final del relato, se da a entender que el origen de esta inspiración es debido a que Pickman cuenta con modelos muy cercanos.
Uno de los últimos cuadros que se logran ver antes de terminar la historia, es precisamente una inquietante imagen de seres horribles, al parecer acompañados del mismísimo Pickman, quien, de ese modo, podría no ser un ser humano común...


The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in his being kicked out of the college he is attending and shunned by his fellow artists.
The narrator is a friend of Pickman, who, after the artist's mysterious disappearance, relates to another acquaintance how he was taken on a tour of Pickman's personal gallery, hidden away in a run-down backwater slum of the city. As the two delved deeper into Pickman's mind and art, the rooms seemed to grow ever more evil and the paintings ever more horrific, ending with a final enormous painting of an unworldly, red-eyed and vaguely canine humanoid balefully chewing on a human victim.
A noise sent Pickman running outside the room with a gun while the narrator reached out to unfold what looked like a small piece of rolled paper attached to the monstrous painting. The narrator heard some shots and Pickman walked back in with the smoking gun, telling a story of shooting some rats, and the two men departed.
Afterwards the narrator realized that he had nervously grabbed and put the rolled paper in his pocket when the shots were fired. He unrolled the paper to reveal that it is a photograph not of the background of the painting, but of the subject. Pickman drew his inspirations not from a diseased imagination, but from real life.