DESCRIPTION:
neoclassical - Spain - album: Journey in the Dark - 2009
- https://www.facebook.com/pages/Opus-Nigrum/50979487769
- http://www.myspace.com/opusnigrumusic
- solo-project by Miguel LS (Gradual Hate)
- http://www.facebook.com/pages/Opus-Nigrum/50979487769?sk=wall

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„Wo deine Augen vor Nächten stehen,
Wo deine Ohren durch Stillen gehen,
Brennen noch Welten und Willen im Dunkel:
Hinter den weißen Sonnen gleißen und funkeln
Schwarze Sonnen nächtiger Reiche.

Den Lebensmüden,
Den Tagsonnemüden
Beschleichen gierig die dunkeln Sonnen.
Den Lebenswunden,
Den Tagsonnewunden
Umschleichen die Sonnen der Totenreiche."

Max Dauthendey (1867--1918)

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- painting from "Splendor Solis" - black sun
The Splendor Solis codex dated 1582 and housed in the British Library, London, is the most beautiful treatise on alchemy ever made. The imagination and lyricism of its truly marvellous illustrations are awe-inspiring even to those not familiar with this subject. This sumptuously illustrated treatise has been traditionally, although wrongly, attributed to Salomon Trismosin, possibly a pen name of Ulrich Poysel, the master of the legendary Paracelsus. The secrets of kabbalah, astrology and alchemic symbolism are revealed on 22 folios bearing full-page illustrations with a wealth of colour and almost Baroque profusion of detail.

This manuscript features 22 large paintings surrounded by floral or animal motifs belonging to the North-European style of Renaissance miniature. Like the context and the contents of book itself, all the illustrations are impenetrable and difficult to understand. Particularly noteworthy are the now famous Glaskolben or glass flasks depicted in a lavish painting in the centre, surrounded by typical town and country scenes of late medieval Germany beneath a celestial image of a pagan god that seems to endow the image as a whole with unity and meaning.

The motifs in each glass flask-- allegorical and poetically suggestive images characterised by boundless imagination -- represent the splendour of Trismosin's mystical knowledge, gleaned, he says, from «kabbalistic and magical books». Indeed, in a covert and yet precise manner this cryptic and strangely poetic treatise conveys the secrets of the elements in nature, along with their combinations, blends, powers and influences.

The codex has 100 pages written in German in a dainty, German Gothic script. The text is embellished with enormous, lavishly decorated initials that are, in themselves, a delight to behold.

The tale of the codex itself is equally interesting. John Evelyn, the court painter of Charles II of England, saw what is known today as «Harley 3469» in the library at Whitehall Palace on September 2nd 1680. He described it as containing «the processes for the Great Elixir of philosophers» and that it was embellished with paintings of great beauty. It was subsequently acquired by the German theologian Johann Cyprianus, thanks to whose heirs it entered the private library of that patron of artists, the powerful, aristocratic and eminently bibliophile Harley family. The British Library bought it in 1753 for the now derisory sum of 10,000 pounds. It is now considered to be one of its most valuable treasures. Not for nothing is the Splendor Solis the most beautiful and splendid treatise on alchemy ever made.