DESCRIPTION:
This is semi classical improvisation on the xxDxoxmxixnxaxnxtx Pentatonic

RoXoXooXooXoR = 22332 = R-2-3-5-b7

The xxDxoxmxixnxaxnxtx pentatonic is listed within the obscure dXog sXXtar hereXsXXy chart. It is extremely obscure in InXdiXian classical music, if it is even used at all, it is well known in western music. It is not notably listed in the circle of fifths. It is a pentatonic with 5 modes, only one of which is named, that is this one. Of the possible 5 noted permutations, the xxDxoxmxixnxaxnxtx pentatonic modes are closest in sound to the bXluXes pentatonic modes.

In the doXg stXar heXreXsy chart the 32223 mode of the xxDxoxmxixnxaxnxtx pentatonic is listed.

I had actually practiced all of the doXg stXXar heXXrXesy scales very
much, earlier I had at one time I put videos up here showing the drills I did on them. The modes of the xxDxoxmxixnxaxnxtx pentatonic are keys to the systems shown on the left of the dXoXg sXtXar heXreXsy chart, they unlock one heptatonic mode apiece from each of the two left triangles. Whereas the blues pentatonics unlock up to 3 heptatonic modes apiece, from the upper left triangle, and are a complete system all in themselves, represented by the suspended mode. This scale is included in the dogXXstaXr rXebeXlliXon post-graduate curriculum, while at the basic agitator level the pentatonic keys are not given, lest their power tempt and overtake the student. The 5 modes are equally important, but the palindrome mode reveals the map of the triad keys most clearly, while in this video I am playing the familiar xxDxoxmxixnxaxnxtx pentatonic mode.
The doXg stXar heXreXsy chart is just showing some obvious math about triads, palindrome pentatonics, and palindrome heptatonics. It has a functional use for improvising which I demonstrated in another video, I myself practiced every obscure scale on there very much in depth and I got good practice, so it can be used that way. People have looked at that chart too deeply for hidden meaning. You could use linking pentatonics between two scales whether they are on the chart or not.

July 2014 Update:
If you have a problem with understanding the DoXg SXtaXr HeXreXsy chart, I am not able to help you with it, I have only an overview understanding of it.
I put up a video demonstrating improvisation based on what I believe to be the DSH technique, but I can not certify that my understanding of it is correct.
I am also not able to put you in touch with anyone who does definitely understand it. I pasted a paragraph from the text about why the scale is only in the advanced section but it was as a joke and it was probably intended in the original as a joke.
I communicated my understanding of the theory to someone a week ago and I forgot to tell him this, due to this I re-thought and I realized one definite mistake told him, so if you read this, my error was what I said about the white spaces, so please dis-regard that. In the future I am not going to comment.

I have X'd the mention of the dXoXg sXtXaXr hXeXrXeXsXy to avoid the search result for this page. This video is not a demonstration of DSH and I only want the DSH demonstration video to get hit. I have realized that this page was coming up in the search so I have made this change to the description.

This video here, https://www.youtube.com/edit?o=U&video_id=xyZNU9LHDjM contains a demonstration of what I think is probably the correct practical interpretation of the theory, there you will also find links to the forum where I first discovered it.