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This is Part 1 of a 'Guitar Conversations' I did early this year in Los Angeles with legendary studio guitarist and film composer Don Peake. Part 2 & Part 3 is available exclusively to my Patrons over at https://www.patreon.com/martintaylormusic

I'm sure most of you know who Don Peake is, but if you haven't heard his name before, then you've most certainly heard his guitar playing and his music!

Don is a guitarist, arranger, record producer, and film music composer. Starting his professional musical career as a guitarist in 1961, Peake's talent was recognized early when he toured as lead guitarist with the Everly Brothers at the age of 21, playing in the U.S. and Europe for two years. Peake returned to Los Angeles to establish himself as a recording musician, and played for many of the legendary performers under Phil Spector's production including The Righteous Brothers - "You've Lost That Loving Feeling", Ike and Tina Turner - " River Deep Mountain High", as well as recording with Mahalia Jackson, Billy Preston, Cannonball Adderly, Marvin Gaye, and Diana Ross.

In 1964, Peake became the first white guitarist to play with the Ray Charles Orchestra, touring with Charles, and recording with him for ten years. During that time, Peake studied guitar with Barney Kessel, Howard Roberts, and Joe Pass, three legendary guitarists. Peake became one of the premiere session guitarists in Los Angeles, recording for Jan and Dean, The Mamas and the Papas, Sonny and Cher, The Beach Boys, and many others. Don was inducted into an elite group of musicians led by drummer Hal Blaine known as The Wrecking Crew.

He played lead guitar for Marvin Gaye (Let's Get It On), and on all the Jackson Five's original hits, “ABC”, “I Want You Back", etc. Don was on the Commodores, Smokey Robinson, The Supremes, The Temptations, and many more Motown Artists' records as a Staff Guitarist for Motown Records.

Peake also played on John Lennon's records that Phil Spector produced, and on all of Barry White's hit records, some of which he arranged. On all of the records that Don Peake has made, he has been a major creative contributor.

It was a natural thing for Peake then to move into arranging and composing. His first arrangement was Tim Hardin's " If I Were A Carpenter" for Bobby Darin, which sold over a million records in the first week and a half of its release. Peake has been involved in some of the landmark recordings of the last twenty years. Some of these have been "breakthrough" records, like his arrangements on Gloria Gaynor's Platinum Album "Love Tracks", the first disco record to become a pop crossover.

His arrangement of "Don't Take Away The Music" for Tavares was a runaway disco hit. Peake also has a Gold Album for his arrangements on Jermaine Jackson's "Let's Get Serious" album, and a Platinum Album for his production work with Ray Parker Jr. on " Ghostbusters". Don has arranged for Roy Orbison, Kenny Rankin, The Monkees (Gold Album), Minnie Riperton, The Fifth Dimension, Sonny and Cher, Wayne Newton (Gold Album), Hank Williams Jr. and many more.

This amazing range of musical experience led Peake to composing music for film and commercials. He studied composition and orchestration extensively with Dr Albert Harris, Academy Award winning composer Paul Glass, and conducting with Broadway's beloved Maestro Samuel Krachmalnick.

To watch more Guitar Conversations like this you can become a Martin Taylor Patron over at https://www.patreon.com/martintaylormusic