DESCRIPTION:
Recorded in October of 1921 and also released on Arto #9105 and Hytone #E-105. Arto pressed Bell Records for W.T. Grant's department store as a dime store label. Lucille Hegamin was the second African-American Blues singer to release a record in 1920, just few months after Mamie Smith's groundbreaking success with "Crazy Blues". Hegamin's first record was "The Jazz Me Blues" and "Everybody's Blues" for Arto Records and it sold well enough, but her next record in 1921 "Arkansas Blues" and "I'll Be Good But I'll Be Lonesome" was one of the most popular records of 1921 and made her a star of the blossoming Blues scene. Hegamin was born in Macon, Georgia and traveled with Laurel Harper Minstrel Stock Company doing tent-shows in the South in the early teens. Lucille joined the African-American migration from the South and moved north to Chicago around 1909. In 1914, she teamed with Bill Hegamin (who she would later marry) and worked at cabarets and nightclubs in Chicago where she sometimes sang with jazz pianists Jelly Roll Morton and Tony Jackson. She and her husband moved to Los Angeles in the late teens before settling in New York in 1919. In New York she continued her career as a cabaret and nightclub singer and performed in musical revues. In 1920, she and her husband formed the Blue Flame Syncopators who supported her on all of her Arto records and toured the vaudeville circuit throughout Pennsylvania, West Virginia and Ohio with her. In 1922, Lucille became a member of the cast of Sissle and Blake's musical comedy Shuffle Along in New York City. When Arto went bankrupt in 1923, Hegamin signed with Cameo and eventually became known as the Cameo Girl. She had another big hit with the risqué Blues song, "He May Be Your Man, But He Comes to See Me Sometimes" which was widely covered by other Classic Blues singers and Jazz bands of the 1920s. Throughout the rest the 1920's and early 1930's, Lucille continued to sing and perform in musical revues. When the Blues craze died out in the mid-1930s she left show biz and became a registered nurse, but continued to perform and record from time to time. In the early l960s, Hegamin returned to recording and released records with Willie "The Lion" Smith and Victoria Spivey. After 1964, Lucille did little performing due to illness. She died March 1, 1970.