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July began with an extraordinary event - Pawel Kaczmarczyk Audiofeeling Trio presented their repertoire in the Romanian Garana in front of 12 thousand audience in the Garana Jazz Festival. This festival is among the best jazz events in Europe, as it may be evidenced by this year's composition - every day the audiece could listen to a world music stars such as Charles Lloyd, Arild Andersen Trio, John Surman and Magnus Ostrom. To imagine how big impression both the audience and the music journalists, have been given by a concert of Audiofeeling can be understood after reading enthusiastic reviews, that immediately appeared on many European music websites:

"The real revelation of the festival was the quartet Pawel Kaczmarczyk Audiofeeling Band . Polish artists impressed the audience so much that they had the strength and determination to force the organizers to grant an encore that lasted more than 15 minutes. The pianist Pawel Kaczmarczyk, received more applause than, playing few hours later, Norwegian star Bugge Wesseltoft. Ability to interpret, strength and courage made the listeners gathered at Garana Jazz Festival understand that they are receiving a real lesson of jazz. "- Mihai Brezeanu, www.dordeduca.ro

"The and is fully engaged in the creative process, it remains at a constant mutual communication - this four people managed to create a type of music that grabs the audience immediately by its energy and who [the public] then unwittingly reads and responds to these signals. Each solo is balanced, and gradually builts up tension that does not allow the audience to boredom." - www.jazzdeadreptu.wordpress.com

"The familiar, Polish pianist Pawel Kaczmarczyk and his team Audiofeeling Band, literally triumphed! Kaczmarczyk creates an interesting complex pieces that require maximum concentration of all members of the team - there is gradation, variable dynamics and huge contrasts, which, when combined, speak with the charm and strength. [...] I dare say that the band has proved to be the biggest surprise for the Romanian public who simply did not want to let them leave the stage." - Jan Hocek, www.jazzport.cz