Three Part Invention

We are Invention.
YES! Sound and Sight! How tongues take flight,
At this time precisely, my brothers in numbers!
the mountains do speak!
Inventing answers to questions that not yet exsist,
From tri-cosmic time, our likeness in marble.
Variations, you'll find in a cartridge of grey.
On great narrow ships of steel we sail
through cosmic Fabric that time has forbidden!
Preposterous equations of science in sound!
I digress, so seldom it seems, such schematics are found.
The navigational fingers concur, each mirrored in time.
At forty-five degrees, we unequivocally point! In order to break through time's numerical obstruction.
Make way for our ladder of Electric Conduction!
Majestic in Stature such is our Technology. Elemental arousal by
alchemic circuitrty, found within Ruins of Blasphemous sorcery.
INVERSELY make LIGHT of this MATTER forgathered!
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WITNESS the sound as the storms come undone! . . . . . .
We are THREE after TWO but not before ONE . . . . .
but not before ONE!
No, not before ONE!
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GENERATING] [INTERRUPT].DIR *synopsis/ [substitute user identity_born-again shell_aptitude/ synopsis]. [SERVER DISCONNECT] #/ egrep/ *literal_translation/ [echo]: _The dynamic design Three Part Invention revolves around has always stayed in close orbit of conceptual gravity. With the current version, users can now utilize available open ports. Making additional and expansionary upgrades possible. These modifications allows Three Part Invention to Perform in real-time and make active configuration adjustments without experiencing issues due to latency. This is done by perpetuating construction value, thus negating the appropriated disadvantages of incompletion.[GENERATING].
[GENERATING]. [excerpt].rder to stabilize the integrity of our constant. sound trajectory, in correlation with one of the three parent schemas, would determine the exact or nearest genre classification depending on the amount of space given within the triangulated points.
in other words recorded data was broken down into classes and (later) used purely to exemplify the consistency of successful reconstruction of material, without the use of a genre based inertial frame, or pre-theorized preference for audio intake.
Not to be mistaken for mockery or mimicry of stylized sound, sub-genres, or complexity to intellect ratio. But rather normalize the geometry of many triangulations, (genre specification) isolating and redirect unrelated elements (song) within a single source (band) That would otherwise collapse at a rapid rate due to internal collisions caused from insufficient routing, if not for the constant.
the finite point of stability. In theory