Scheibosan

Location:
Ös
Type:
Artist / Band / Musician
Genre:
House / Electro / Down-tempo
Site(s):
Type:
Indie
Bizznezez
-DJ since 1981 @ variouse parties & festivals & guest in radioshows in Germany, Austria, Switzerland, Kroatia, Hungary, Spain, Greece, Brasil, …
-Producing with the Shanti Roots / Monte Laa Productions
-Rating and charting of records and CDs for sampling agencies like DCOC, Jazz Moon,DJ Propaganda . and for various labels
-Organizing, consulting and booking for events and partys
Musiccollector since 1977 of various styles
It began with funk&jazz, disco to brasil, ethno, dub, 70s german electronics, ambient, house, techno, trance, electro, minimal till today
Point of interest at the moment:
jazzy weird funkin minimal - electro - techhouse - cosmichouse - deep dubby house - up&downtempogrooves - balkan - oldschool jazz&funk&soul,…
Various influenced music, different worlds indeed, but very close together - and all combinations are possible today - some of them we even havent dreamed of Interesting things in the world of music r nu designed & destilled every day .
I always try to find the right sound for the location & the people & the mood of the event - thats what i think a dj should take care of with his music in his case the selection & combination & mixing of music create the vibes of an evening
At least people will always need selectors (somebody said)
"Each year more than 30,000 new music titles are released (or re-released) into a very cluttered head space of new movies, new TV shows, new books, new games, new Web sites. No matter what your musical appetite, there are not enough hours in a lifetime to listen to but a tiny fraction of the global supply. People will pay simply to have someone edit the music and recommend and present selected material to them in an easy and fun manner. That is why producers, labels and the related ecology of reviewers, catalogers and guides will continue to make a living: they counter our natural lack of attention for the 10 million albums we can expect to see in another 50 years. In the end, an awful lot of music will be sold in the territory of the free because it will be easier to buy music you really like than to find it for free."
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