Mary Hampton

Location:
US
Type:
Artist / Band / Musician
Genre:
Folk / Experimental / Melodramatic Popular Song
Site(s):
Label:
Navigator Records
Type:
Indie
Hello there. I am Mary Hampton and I live in Brighton in a room overlooking the sea. I find old songs and keep them in coloured vials in my fridge. Sometimes I make up new songs. And sometimes I do neither one thing nor the other.




If you would like to book me for a show, please contact me directly through this page.



The new album 'My Mother's Children' contains a lot of the new songs. It is out on 4th August 2008.
"terrifying and gorgeousunusual and strong.epic and tiny.
'My Mother's Children' is an album I know I am going to love for life." (Eliza Carthy, fRoots April 08)



"songs, which recline with shimmering sensuality in various shady cloaks of weirdness.fragility, desolation and humour.scurrying around Dartmoor under cover of darkness." (Colin Irwin, Telegraph, 26/04/08)
"her bizarre flights of fancy are the dreams of children, far more unsettling for an adult.evoking Eliot's Wasteland in it's beautiful bleakness". (Wyl Menmuir, Fly, June 08)
"coffee-table-shattering purity.these are songs of unnerving delicacy, elemental and acoustic simplicity.potent and enchanting" **** (David Stubbs, Uncut, August 08)
"brilliantpeculiar.how great the unexpected on this album makes me feel" (Kate Lewis, Acoustic Magazine, August 08)



".a true original.Hampton's vocal lines are not so much melodies as weather systems" ***** (Clare O'Brien, Subba-Culture, May 08)
Songlines **** (June 08)



Mojo, Folk album of the month **** (August 08)



The first two EPs contain more old songs and are available to buy below.



"At a time when it sometimes seems that one cannot move for new folk, free folk, freak folk, weird folk, outsider folk and goodness knows what else, it's an unqualified joy to discover a collection of songs that sit proudly and uncomplicatedly within the folk tradition. And yet, while Mary Hampton's debut CD . certainly derives much of its appeal from its appropriation of centuries-old folk idioms, it is certainly no museum piece. Its unearthly radiance and undercurrents of desolate modernity transform it into a vital and contemporary living document_" (Sound Projector, issue 15, 2007)



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