Kill Memory Crash

 V
Location:
CHICAGO, Illinois, US
Type:
Artist / Band / Musician
Genre:
Industrial / Techno / Punk
Site(s):
Label:
Ghostly International
Type:
Indie
Idol Tryouts Two: Ghostly International Vol. Two2006 The O2005 American Automatic2005 Crash V82005



Never Forget/Technasty RMX2004 When The Blood Turns Black2003 Idol Tryouts: Ghostly International Vol. 12003



Spawned from the excessive debauchery and hedonistic revolution that was the mid-90s Detroit rave scene; Kill Memory Crash has emerged from the vacuum of normality armed with their hard-nosed hybrid of techno, industrial, rock, and electro. They have shaken the foundations of electronic music by tearing away at the very boundaries that define it, freely mixing genres and styles to create their own unique blend of Frankenstein Electronic. Now based out of Chicago, a city rich in dance culture history, they continue to voyage deeper into the conscience of the international audience via their acclaimed label Ghostly International.



The year 2005 saw the release of their first full-length effort entitled American Automatic, the follow up to the 2003 EP When the Blood Turns Black. Kill Memory Crash's music has received praise from both the public and music industry alike with radio play in over 10 countries including the US, Japan, England, Germany, and Canada. Their "American Automatic" LP received 4.5 out of 5 stars from the All Music Guide and held a top 10 position on CMJ's RPM chart for three weeks.



They have remixed renowned musical artists such as experimental beat poet Saul Williams, and the legendary industrial band Chemlab. Various tracks from Kill Memory Crash's catalog have been licensed to CBS's CSI Miami, several seasons of MTV's Real World, and nationally aired sporting events. In between studio sessions, Kill Memory Crash regularly tours the US; bringing their sonic assault to major music festivals like SXSW, Miami's Winter Music Conference, CMJ, Seattle's Decibel Festival and of course Detroit's Electronic Music Festival.
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