PUHLEASE DO NOT EMAIL ME ON MYSPACE IF YOU NEED TO REACH ME. I NEVER GO ON HERE!!! PLEASE EMAIL MY MANAGER JEFFEYRICH@GMAIL.COM OR CONTACT INFO@KELLYFLINT.COM. THANKS!!!
Who is Kelly Flint?
Postmodern folk with a tinge of Americana. If you want to reduce it to an easily digestible phrase, that’s what you might call the music of Kelly Flint. As the sultry voice for the trenchant songs of David Cantor in New York City-based cult faves Dave’s True Story, Kelly made five albums and was the toast of The New York Times, the Kennedy Center, and more.
But now it’s time for her to spread her solo wings, or more appropriately, to Drive All Night. That’s the title of Flint’s first solo album, and what that album’s about is the sum total of the places she has been. In the album’s warm, organic arrangements, acoustic sonorities, and occasional open-road, real-America flavor, you can discern Flint’s Midwestern youth, spent soaking up the classic folk-rockers of the ‘70s.
In the more complex shapes that Flint’s lyrics conjure in the mind’s eye, and the subtle harmonic twists that keep Drive All Night from becoming strictly an “Americana” album, her coming of age in New York City is apparent. Her involvement in the jazzy sophistication of Dave’s True Story, her immersion in the complicated, urgent, shades-of-gray sensibility that is the experiential dividend of New York life – it’s all in this striking new batch of songs. Sometimes the trenchant bite is just under the surface, and sometimes it snaps up to nab a piece of your heart.
Drive All Night features 13 Kelly Flint original compositions, as well as her unique take on the Moody Blues classic, “Story In Your Eyes,” written by Justin Hayward. She assembled a stellar cast of some of New York’s finest players to join her on the album, including guitarist Gerry Leonard (David Bowie, Duncan Sheik) and drummer Doug Yowell (Suzanne Vega, Duncan Sheik).
Produced by Jeff Eyrich, bassist and producer for Dave’s True Story, Drive All Night doesn't leave Flint’s previous musical life entirely behind; you can still hear the combination of hope and world-weariness, blue moods and gossamer balladry that helped make that group indie darlings. But this album adds another string to Flint’s bow, and establishes her as a distinct musical entity, ultimately reliant on nothing but her own artistic road map.
Kelly Flint – Drive All Night – BePop Records
www.KellyFlint.com
Publicity Contact: Mark Pucci Media (770) 804-9555 / mpmedia@bellsouth.net
Just a Kid
I couldn't talk to you anymore
I had to close my secret door
You pushed my schoolwork to the floor
And everything came down on me
And mama I still don't know what for
You made me cry until my throat was sore
And daddy was at the liquor store
getting his alcohol degree
But that was way back when
now the wine's gone down
and we're sitting in my kitchen
I couldn't ask you then
so I'll ask you now
was it something that I did?
Cuz I was just a kid
Across the street there was an ice cream shop
where they laughed and did the bunny hop
I longed to dance with them on their rooftop
against a sky of blue and green
But that was way back when
now the sun's gone down
and we're sitting in my kitchen
I couldn't ask you then
so I'll ask you now
was it something that I did?
Cuz I was just a kid
The world was their oyster
But I stood on the rim
With the blankets and the dinners
Made of toast and cinnamon
Someone told me that I was precious and
He said that he was a holy man
And then I lost the key to my contraband
Two years from thirteen
But that was way back when
now the wine's gone down
and we're sitting in my kitchen
I couldn't ask you then
so I'll ask you now
was it something that I did?
Cuz I was just a kid
c Kelly Flint Feb 5, 2008 Words Turn Into Birds Music (SESAC)
Kelly Flint created and hosted a successful series called the "UPSTAIRS SESSIONS" at the Living Room in NYC which was held on the 3rd Tuesday of each month from 7:30-9:30. One part live performance, one part talk show: The “UPSTAIRS SESSIONS” featured musical performances by two artists interspersed with intimate and open conversation between the artists and host. Discussion topics included but were not limited to the artist's song writing processes, musical experiences and the inspiration behind their songs. The evening included an open forum between the artists and the audience.
Kelly was inspired to start the Upstairs Sessions by the TV show 'The Actor's Studio'. She felt that people come to see artists perform but never really get to experience them behind the scenes. The show was tremendously well-received - but Kelly chose to end the series to focus more on her songwriting and live performance. The Upstairs Session took place in the small intimate performance space called Googie's Lounge, upstairs at the Living Room in NYC. Featured guests included Bill Morrissey, Christine Lavin, the Kennedy’s, Milton, Anthony da Costa, David Massengill, Dayna Kurtz, Trevor Exter, Erik Frandsen, Libby Johnson, Eric Schwartz, Mare Wakefield, Adam Levy, Andrew Vladick, Marc Black, Peter Karp, David Cantor, Carol Lipnick, Julia Joseph, Carsie Blanton, Jon Forster, Birdie Busch, Tim Robinson, Julia Douglass, Erik Balkey, Fred Gillen, Matt Turk, Ruth Gerson, Ina May Wool, Cassidy (from Antigone Rising), Vicky Emerson, Brigitte DeMeyer, Ali Marcus, Amber Rubarth, Liz Longley and Joe Crookston.
After two and half years of great shows, Kelly has put the series on hiatus in order to pursue other projects.
