This is a Jack Nitzsche fan page.
Biography:
"An important behind-the-scenes figure in popular music for 40 years,
composer/songwriter/producer/arranger/studio musician Jack Nitzsche served a crucial function in 1960s rock & roll,
bringing a trained musician's know-how to bear on the work of more instinctive rockers in a way that complemented
and deepened their work. The Rolling Stones and Neil Young in particular benefited from his talents. Nitzsche was
also a capable writer who penned a couple of major hits and developed a career as a film composer that included
nearly three dozen movie scores.
Nitzsche grew up in Howard City, MI, which he left at 18 in 1955 to attend Westlake College of Music in Hollywood,
CA; he remained based in the Los Angeles area for the rest of his career. After college in 1957 he found work as a
music copyist. He was hired at Specialty Records by Sonny Bono, with whom he would work extensively over the next
several years. He also worked at Capitol Records and Original Sound Records. At Original Sound, he wrote "Bongo
Bongo Bongo," an instrumental that was recorded by Preston Epps as a follow-up to his hit "Bongo Rock." It made the
national charts during the summer of 1960.
Nitzsche began getting arranging jobs, and when writer/producer Phil Spector relocated to the West Coast, he went to
work with Spector, arranging many of Spector's hits, among them "He's a Rebel" by the Crystals and "Be My Baby" by
the Ronettes. He also scored his own recording contract with Reprise Records, which released his instrumental "The
Lonely Surfer" in the summer of 1963. It became a Top 40 hit, and Nitzsche followed it with an album of the same
title, but he did not go on to a successful recording career, though he did release a few more albums. His next
chart entry came with a song he composed but did not perform. He and Bono had written "Needles and Pins," initially
recorded by Jackie DeShannon. It was covered by British Invasion group the Searchers, who took it into the Top 20 in
the spring of 1964. (The song was revived for a chart entry by Smokie in 1977 and became a Top 40 hit for Tom Petty
and the Heartbreakers with Stevie Nicks in 1986.)
Nitzsche's work with Spector stood him in good stead with another British Invasion group. In the fall of 1964, he
played on sessions for the Rolling Stones album The Rolling Stones, Now!, beginning a long association with the
group that would find him contributing to such Stones recordings as "Play with Fire," "Paint It, Black," and "You
Can't Always Get What You Want" (choral arrangement).
Nitzsche got his first film credit serving as musical director for The T.A.M.I. Show, a legendary concert movie
filmed in November 1964 and released in January 1965. Also in 1965, he wrote his first film score, for the
low-budget Village of the Giants, though it would be another five years before he really began to work in films
consistently. In the meantime, he continued to produce, arrange, and record with a wide variety of musicians
including Tim Buckley, Bobby Darin, Doris Day, Marianne Faithfull, Frankie Laine, and the Monkees. He began a long
association with Neil Young when he wrote a string arrangement for Young's song "Expecting to Fly," which appeared
on the Buffalo Springfield album Buffalo Springfield Again in 1967. When the Springfield broke up in 1968 and Young
went solo, Nitzsche continued to work with him, co-producing and writing arrangements for his first solo album, Neil
Young, in 1969. He also worked on Young's early '70s albums After the Gold Rush, Harvest, Time Fades Away, and
Tonight's the Night, and returned for Life (1987) and Harvest Moon (1992).
Nitzsche got his chance to return to movie work in 1970 with Performance, starring Mick Jagger. It really launched
his career as a composer of film scores. By 1973, he was working on major studio films like The Exorcist, and in
1975 he earned an Academy Award nomination for his music to One Flew Over the Cuckoo's Nest. But in the late '70s,
he accepted a few production jobs involving new wave rock performers, producing the first three albums by Mink
DeVille and Graham Parker and the Rumor's celebrated Squeezing out Sparks. By the 1980s, however, he was working
full-time on film scores, averaging two a year during the decade. He got another Academy Award nomination for An
Officer and a Gentleman in 1982, and, with Will Jennings and Buffy Sainte-Marie (at the time, Nitzsche's wife), he
won the Oscar for best song for "Up Where We Belong," which had already become a number one hit for Joe Cocker and
Jennifer Warnes.
Nitzsche's film work slowed after the early '90s, his last film score coming with The Crossing Guard in 1995. He
died at 63 of cardiac arrest brought on by a bronchial infection."
By William Ruhlmann
allmusicguide
