Feverdream did loads of gigs during the last
five years, touring through Europe 4 times,
5 pretty successful UK tours, quite a lot of
Dutch shows and way too many weekends
in Germany. Shows spanning the intensities
of both yer regular punkrock-basement-
40-kids-show-up-and-have-a-blast (or
be seriously annoying -) kind of show
and outstanding quality fun or seriously
important shows (in a resume sort of way),
like Popkomm (Germany) and Noorderslag
(Holland), like playing shows on National
Radio (Club Lek, VPRO Radio), like
touring along with bands such as Blonde Redhead, Karate, Challenger and Minus the Bear gave
Feverdream a reputation which were still
not quite sure of what it is (because these
kids could never really explain), but its
certain that it has something to do with live
shows. Well, we dont really know what
goes on then, since we all sort of get into
the music, you know
We've been around since 1997. We made
four records and some obligated punk rock
style seven inches. Our last record did
quite OK. Thats the one called FUTURE
DIRECTIONS. It came out on COALITION
RECORDS. That's a kick ass label, man.
Especially when they help you out during
unreal circumstances. Dude!
For press purposes we are more or less
forced to speak about our influences or likes
and dislikes. We pretty much dont give a
fuck, but people tell us the following: you
guys should be on Touch & Go!, Do you
know any Trance Syndicate bands, you
should really check those guys out! and
Hey if you dig lesbian rock check out Kill
Rock Stars for a change. So, there it is. We
really never listen to that kind of advice,
and barbecue in the park with girls and Ornette
Coleman, Golden or Fat Joe blowing
from our ghetto blasters. ZLAYA HADZIC
did most of our recordings, mixing, cursing,
listening, counselling, problem solving,
problem creating, nagging, bitching, being
an ass hole and being the coolest guy on
earth to work with.
We played with a lot of friends. People you
probably dont know. These shows mean a
lot to us. But here are the really important
bands we played with: 90 Day men, Blonde
Redhead, Enon, The Thermals, Challenger,
Minus the Bear, Archie Bronson Outfit, Karate.
We also played with The Icarus Line,
but werent sure if we should put it in here,
since we think those guys are stupid gits.
During all this god forsaken touring, sucky
supporting and the unavoidable gathering
of an elitist underground network, which
everybody uses in order to get to that one
contact to get shit done, get paid, make music
all day, meet the interesting rich people,
hang out with the models, get in touch with
interesting and elaborate conversations
between writers and cult shock actors and
video artists
and with our-
SELVES!!!,
we lost a
bass player.
Her name is
Saskia. Shes gone to a better place. Namely,
a shrinks office. Where she works. Not
to be a client, of course. Since INCENSE
(another quite known band, which youve
probably never heard of) had split up some
time before, their bass player was an immediate
must have for our little industry out
here. Har, we snatched that bugger!
Now Feverdream is ARNOLD VAN DE
VELDE on drums, BART BAEKELANDT
(NEW!!!) on bass and fi nally there is
manager, performer and musical brain of
this outfit guitar player and singer RENÉ
VAN LIEN (from Rotterdam, Zuid Holland).
Long time fan and riotgrrrl ELLE
BANDITA sings some occasional fucked
up yawp on our new stuff (which is better
than our older stuff, because we are better
men than we were before. Weve grown
older and well, technically just better.
There you have it. Its that and the thing
that since weve heard tons more music
(since one always experiences more stuff as
time goes by, not less) and since we started
diggin more musical styles and managed to
sneak those into the music, without making
to big a point of it. Were just starting to
see through it all. And, yes, it IS funnier
on the dark side of the moon. Guess what,
Arnold even got himself a beard. (No sign
of that on our keep-the-fanbase-happy EP
ARNOLD yet!) Looks pretty fucking good
on him too. Too bad we already made that
album.
Anyway, Bart and the rest of us practised
the old stuff and wrote some new jazz.
Were ready to rock like we never did before
and blah, blah, stuff like that.